Kino is releasing it on Blu-ray.But Flower Drum Song hasn't even gotten a Blu-ray.
Kino is releasing it on Blu-ray.But Flower Drum Song hasn't even gotten a Blu-ray.
The Sound of Music was way too "square" for someone like Pauline Kael, who longed to be considered hip and with it, to approve of it.Pauline Kael hated it.
I hadn't heard that. Great news.Kino is releasing it on Blu-ray.
Pauline Kael hated everything.Pauline Kael hated it.
Hopefully the classic musicals being released on 4k (My Fair Lady, Oliver!, and Willy Wonka) Will sell well and disney will finally wake up and jump on board. Would love to see Mary Poppins, Bedknobs and Broomstick, Hello, Dolly, Gentlemen Prefer Blondes and, all of the Rodgers and Hammerstein films on 4k disc, maybe a 4k boxset for them. I know it's probably just wishful thinking but who knows.
Not entirely true. She LOVED Last Tango in Paris.Pauline Kael hated everything.
Nope.She liked 2001
So she did like musicals.Not entirely true. She LOVED Last Tango in Paris.
Though to be fair I've never seen it. Sounds like it would not go over well today.
Pauline Kael hated it.
Saw this on YouTube yesterday:
Highest recommendation I can think of as a reason to watch a movie. Insomnia? Try reading a Pauline Kael movie review.Pauline Kael hated it.
I never would have heard of Pauline kael if not for this topic.
Interesting. I wonder if there is a release finally in the works.
I watched every episode of all his review shows, every incarnation.
Followed him on Twitter.
Never read his books though.
Huge fan of Siskel and Ebert but if I ever heard him tAlk about her I don’t remember it.
I just listened to an 8 part podcast about both Gene and Roger and a handful of reviewers were brought up and interviewed and Kael wasn’t one of them.
One of the most influential American film critics of her era,[2] she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades." Kael, he said, "had no theory, no rules, no guidelines, no objective standards. You couldn't apply her 'approach' to a film. With her it was all personal."[3]