Mike Ballew
Second Unit
Hi, everyone,
I was thinking we would do well to have a separate, dedicated thread devoted to discussions of anaglyphic 3-D movies and imagery. I did a search to see if there was an existing, explicitly dedicated thread and found nothing, so I reckon it's time to start one.
Even at this late date, this topic has relevance to those of us who collect Blu-Ray discs and enjoy 3-D in a home theater setting. Just a few weeks ago, one of the great achievements in anaglyphic 3-D, Julian Roffman's film The Mask, made its Blu-Ray debut, courtesy of Bob Furmanek, Greg Kintz, the 3-D Film Archive, and the Toronto International Film Festival. And some pretty important early stereo material on the 3-D Film Archive's 3-D Rarities disc was harvested from sole surviving anaglyphic materials. (Of course, both disks update the presentation to encompass "discrete" left and right, color-neutral 3-D, for those who may wonder.)
Call me crazy, I happen to like anaglyphs. Done well, they have their own peculiar magic. And of course the familiar red-and-cyan glasses have become an entrenched part of the iconography of stereoscopic cinema. In fact, I've seen instances (advertising, for example) where the image of anaglyphic glasses is meant as a kind of visual shorthand for the movies generally. Talk about pertinence!
I was thinking we would do well to have a separate, dedicated thread devoted to discussions of anaglyphic 3-D movies and imagery. I did a search to see if there was an existing, explicitly dedicated thread and found nothing, so I reckon it's time to start one.
Even at this late date, this topic has relevance to those of us who collect Blu-Ray discs and enjoy 3-D in a home theater setting. Just a few weeks ago, one of the great achievements in anaglyphic 3-D, Julian Roffman's film The Mask, made its Blu-Ray debut, courtesy of Bob Furmanek, Greg Kintz, the 3-D Film Archive, and the Toronto International Film Festival. And some pretty important early stereo material on the 3-D Film Archive's 3-D Rarities disc was harvested from sole surviving anaglyphic materials. (Of course, both disks update the presentation to encompass "discrete" left and right, color-neutral 3-D, for those who may wonder.)
Call me crazy, I happen to like anaglyphs. Done well, they have their own peculiar magic. And of course the familiar red-and-cyan glasses have become an entrenched part of the iconography of stereoscopic cinema. In fact, I've seen instances (advertising, for example) where the image of anaglyphic glasses is meant as a kind of visual shorthand for the movies generally. Talk about pertinence!