OK, on the theme of DeNiro being incapable of acting as a talk show host in a movie. Then, people espousing this must believe he is actually a psychotic, murderous gangster in real life, since he's so effective in that role.
It's called "acting". Talented actors can actually portray characters who are completely different from the actor. Radical concept, isn't it?
Isn’t that what they ( Honest Trailers) do to every film?My reaction to that trailer.
Puerile criticism of one of the year's best films. Like Sam Rayburn once said. "Any jackass can kick down a barn, but it takes a good carpenter to build one."
- Walter,
I'm curious which quote that is, since the quote in your signature is from Nineteen Eighty Four.I'm not a big fan of that sort of criticism as my quote of Sam Rayburn makes clear (I hope.)
- Walter.
My problem is it's intended as sarcastic humor, but it's really not funny most of the time. It's a very difficult movie to make jokes about, and it tries to make jokes about some topics which simply aren't joke material. Humor is a prickly thing.Yeah, I hate Honest Trailers and all of those other similar things. I understand it’s meant primarily as humor but the problem is that there’s a much wider audience that has come to see them as legitimate film criticism and the democratization of reviewing has led to an entire cottage industry where anything that happens in a movie that someone doesn’t like is incorrectly called out as a “plot hole” or some other nonsense. Even the title “honest trailer” rubs me the wrong way because of the built in suggestion that the film was dishonest.
I think a lot of my difficulty comes from the fact I went through a creative arts program at an extremely demanding school, and that included hundreds of critiques that were like a blood sport. Which was the point of them. If anyone used explanations I often see these days, they would have been eaten alive. I have difficulty accepting this belief that all opinions have value simply for existing, and that all opinions on creativity are equally valid. I graduated in 1987, and I think I'm still a little scarred from those four years.I love honest conversations about art even when they’re with people I disagree with on the topic. My wife doesn’t like my favorite movie but I love talking about why it doesn’t work for her and why it works for me. I don’t mind when art is polarizing. I mind when the argument is disingenuous, and I think that’s often the case with Honest Trailers with the ones I’ve seen. It feels like high level trolling.
The part of the movie that sticks with me is the run-in he has with the Wall Street guys on the train. Those guys were bullies and it seems clear from the filmmaking choices that if Arthur wasn’t on the train, that they would have assaulted and raped that woman they were terrorizing. And when they set their sights on Arthur, they were fully prepared to beat him to death. Arthur would have been dead if he didn’t shoot the first guy, and probably still dead if he didn’t shoot the second guy. But he didn’t need to get off the train to follow the third guy, although it’s hard to feel that much sympathy for a guy who would have raped a woman and murdered a man if Arthur hadn’t fought back. I don’t know if any of that can be construed to have a deeper meaning or if we should even try to find one. But it’s interesting to me that what the film portrays as Arthur’s turning point is one of the fewer times that I’m not so sure he was wrong. Ok, he shouldn’t have had the gun in the first place, but what was he supposed to, let those guys beat him to death?
(edit: wrote this before reading John’s comment above)
I only saw the movie once so I could be misremembering this detail. But what I recall was that the shop owner had made it clear (maybe offscreen?) that Arthur had to bring back the sign or lose the job, and that the owner was not a nice/understanding employee. So if Arthur goes back emptyhanded right away and tells the truth, he’s still fired. And we’re led to believe the economy is so bad and Gotham is such a lousy place that people on the lower rungs are that desperate and feel like they have to go through something as dehumanizing as taking a beating to try to protect a piece of cardboard. What I got from that scene wasn’t that Arthur had an overdeveloped sense of right and wrong, but rather, that he was a guy with that little margin for error in his life.