Robin9
Senior HTF Member
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- Dec 13, 2006
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- Robin
I like Sheree North and I wish more of her films were available on disc with the correct aspect ratio.
She really ended up being like a girl-next-door-type version of Marilyn. I really enjoy THE LIEUTENANT WORE SKIRTS, which just happens to be one of my favorite comedies from the mid-1950s. Sheree's beautiful in it, and it proves how well she could've done had she gotten better directors.I always enjoyed her work, but her film persona and Marilyn's were worlds apart, and I could never have seen her as a replacement for Marilyn despite the studio's intentions.
She was more popular than many "adult" leading ladies of her time. The only lady more popular than Sandra Dee in the early 1960s was Doris Day, who was number one at the box office in 1960 and again from 1962 to 1964. There were a few years, I believe, where Sandra Dee and Doris Day were the only two women in the top ten.For a time, Sandra Dee was a very big deal. Beginning in 1960, she was listed among the top ten box-office stars for four straight years.
Julie Andrews was the only other one with those credentials in the 1960s: four years in the top ten with two years (1966-1967) at #1. As I recall, Natalie Wood and Shirley MacLaine had the odd year here or there in the top ten but not consistently appearing there, and Streisand came in at #10 in 1969 right behind Katharine Hepburn who made her only top ten appearance of her entire career in 1969.It's odd, too. Sandra Dee was in her late teens/early twenties, whereas Doris Day was a woman in her late thirties/early forties at the time. There were other women dominating the box office, such as Elizabeth Taylor, Audrey Hepburn, Debbie Reynolds, and Sophia Loren, but not one of them reached Day and Dee's popularity in polls during this era.
Yes, I recall those ladies being in the top ten, but that was after Sandra Dee and Doris Day's heyday at the box office. Dee and Day had both hit the skids career-wise by the late sixties. Dee was making films like DOCTOR, YOU'VE GOT TO BE KIDDING (1967) and Day movies like CAPRICE (1967), both which pointed towards their decline in popularity.Julie Andrews was the only other one with those credentials in the 1960s: four years in the top ten with two years (1966-1967) at #1. As I recall, Natalie Wood and Shirley MacLaine had the odd year here or there in the top ten but not consistently appearing there, and Streisand came in at #10 in 1969 right behind Katharine Hepburn who made her only top ten appearance of her entire career in 1969.
I have seen pieces of THE EMPEROR'S CANDLESTICKS on TCM, but I don't think I've ever seen a movies of hers in its entirety. I know other classic movie buffs that do not find her appealing, and it's honestly pushed me away from diving headfirst into her work.Thanks to my dvd recorder i have on disc the TCM broadcast of Luise Rainer: Live From the TCM Film Festival (2011) hosted by Robert Osborne which he interviewed the 100 year old actress. Viewed The Good Earth on TCM a few weeks ago and what a great performance and one wishes she could have done more films.
It's possible - I don't know either way - that Sandra Dee scored more highly than Elizabeth Taylor in some polls, but she did not sell theater tickets in the way Elizabeth Taylor did. The very large audience for Imitation Of Life paid up at the box-office because of Lana Turner and the subject matter, not because Sandra Dee had a supporting role.She was more popular than many "adult" leading ladies of her time. The only lady more popular than Sandra Dee in the early 1960s was Doris Day, who was number one at the box office in 1960 and again from 1962 to 1964. There were a few years, I believe, where Sandra Dee and Doris Day were the only two women in the top ten.
It's odd, too. Sandra Dee was in her late teens/early twenties, whereas Doris Day was a woman in her late thirties/early forties at the time. There were other women dominating the box office, such as Elizabeth Taylor, Audrey Hepburn, Debbie Reynolds, and Sophia Loren, but not one of them reached Day and Dee's popularity in polls during this era.
Well, she was not the celebrity Elizabeth Taylor was, either. "Liz and Dick", as Taylor and her fling and eventual husband Richard Burton was called, were probably this biggest stars of the 1960s and not solely for their films. They were major celebrities and their films were such hits that the industry went into a state of panic when they threatened to take a year off around 1968.It's possible - I don't know either way - that Sandra Dee scored more highly than Elizabeth Taylor in some polls, but she did not sell theater tickets in the way Elizabeth Taylor did. The very large audience for Imitation Of Life paid up at the box-office because of Lana Turner and the subject matter, not because Sandra Dee had a supporting role.
I believe only Doris Day outperformed Elizabeth Taylor at the box office in the '50s and early '60s. There was also a film star named Marilyn Monroe who sold a few tickets in that period.
And just a tidbit, Marilyn Monroe was the key to the door that opened me up to a world of classic film, television, and stars.It's possible - I don't know either way - that Sandra Dee scored more highly than Elizabeth Taylor in some polls, but she did not sell theater tickets in the way Elizabeth Taylor did. The very large audience for Imitation Of Life paid up at the box-office because of Lana Turner and the subject matter, not because Sandra Dee had a supporting role.
I believe only Doris Day outperformed Elizabeth Taylor at the box office in the '50s and early '60s. There was also a film star named Marilyn Monroe who sold a few tickets in that period.
Look at how beautiful they are. Wonderfully attractive, and forever frozen in that era of glamorous, unattainable stars that are forever gone.With a thread title like Forgotten Faces of Classic Hollywood I can't help but think of these two actors: Warren William and Marian Marsh.
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There was another movie that I've heard her tied to, but the name is escaping me.I read somewhere that Deanna was offered the leading movie roles in Kiss Me, Kate and The King & I and turned both down because she was through with movies forever.
The 1951 Show Boat perhaps?There was another movie that I've heard her tied to, but the name is escaping me.