TravisR
Senior HTF Member
Fox is pretty good with including all versions and porting over the special features onto their Blu-rays.And yes, I hope it has both versions and the doc!
Fox is pretty good with including all versions and porting over the special features onto their Blu-rays.And yes, I hope it has both versions and the doc!
Space.com: "The Abyss" is often a neglected Cameron classic that was a pioneering film in so many ways. What can you tell us about concept art created for it and will there be a high-definition 4K transfer at some point?
Cameron: Yeah, we finished the transfer and I wanted to do it myself because Mikael [Salomon] did such a beautiful job with the cinematography on that film. It is truly, truly gorgeous cinematography. That was before I started to assert myself in terms of lighting and asking the cinematographer to do certain things. I'd compose with the camera and choose the lenses, but I left the lighting to him. He did a remarkable job on that movie that I appreciate better now than I did even as we were making it.
I'd also like to point out that he took one look at the first day's dailies of the underwater lighting and he went out and learned to scuba dive. He came in the following Monday morning, the worst diver in the world, but he reinvented underwater lighting. He went for indirect lighting and he got everybody doing things that were not just outside their comfort zone, they'd never even thought of it. Suddenly the underwater shots start to live up to the surface photography.
So I just recently finished the high-def transfer a couple of months ago so presumably there’ll be Blu-rays and it will stream with a proper transfer from now on. I appreciate what you said about the film. It didn't make much money in its day, but it does seem to be well-liked over time. The designers were basically Ron Cobb on the one hand, and Steve Burg on the other, who was lead designer of the NTIs, the non-terrestrial intelligence, the look of their city and bodies and faces. Steve was a guy that I worked with on "Terminator 2" after that. He was quite young at the time and fairly new to design.
Whereas Ron Cobb was quite well seasoned. He'd done "Blade Runner" and "Alien" and worked with me on "Aliens." Ron did all the lived-in tech of the underwater oil rig. I’m sure there were people that saw the film and thought that we just went and filmed on one of those underwater oil rigs that they have. Which they don't! But it looked real enough that you believed it was a real facility. It looked like the real deal if there ever was such a thing.
Yeah, I was thinking this morning that this was a 20th Century Fox release, which further muddies the waters. Disney owns it now, right? I just can’t believe that a decent copy of my favorite film is still unavailable on disc after all these years. And oh yeah, I want the director’s cut as well.
[Sarcasm] Digital content being held ransom by streaming platforms? Nah, that would never happen. [/Sarcasm]20th Century Fox, for all intents an purposes, no longer exists. It's all Disney now, and their CFO is on the record that management has made a "'strategic decision' to re-direct Disney titles to direct-to-consumer streaming channels, rather than legacy retail channels."
https://www.mediaplaynews.com/disney-q2-home-entertainment-revenue-slips-due-to-lower-catalog-sales/
Basically, Disney wants to incentivize everyone to subscribe to Disney+ so they can build and maintain a consistent revenue stream, and they're deliberately not releasing catalog titles on discs in order to incentivize subscriptions. They've done the math and market research, and they decided they'd rather get $10 a month from you in perpetuity instead of selling you three $25 catalog titles a year.
Disney owns it, but I really feel like all James Cameron would have to do is say, "Hey, release this," and Disney would probably comply. Maybe they are waiting to time it closer to Avatar 2.
I just hope there aren't a whole bunch of digital "fixes" and waxy-looking people in it.
We’ve also got a bit of rumor control for you: There are reports circulating online today that James Cameron’s The Abyss is coming to 4K Ultra HD in August from Disney and 20th Century Studios. That’s not impossible, but it is unlikely. Here’s what we can confirm for sure: The title is definitely being prepared for release on 4K Ultra HD and Blu-ray in the months ahead, as is the original Avatar. But our industry sources are telling us (and we circled back with them just yesterday) that it’s more likely to come very late this year (with the theatrical release Avatar: The Way of Water) or early next year (with Avatar 2’s home release). The situation is fluid and not unlike what we just went through with Michael Mann’s Heat. We first heard from studio sources that the title was coming to 4K well over a year ago—and the release was originally expected in August 2021—only to see it delayed again and again, reportedly due to the difficulties of getting the director and all relevant parties to sign off on everything. (Sound familiar?) The bottom line is both The Abyss and Avatar are coming to 4K sooner rather than later. But as always, it’s best not to hold your breath waiting for it right now because a lot is in flux and until it’s officially announced... it ain’t official.
Sure thing, Bill. Uh huh. A new release of The Abyss is right around the corner, just like you've been saying for the last 14 years.
didn't Cameron finally get around to Supervising these 4k transfers over the past year?
Fox is pretty good with including all versions and porting over the special features onto their Blu-rays.
But if that’s the case wouldn’t Disney still make available a digital version to buy on iTunes, or wherever like other Disney titles? Even if it’s HD only I would certainly buy it.20th Century Fox, for all intents an purposes, no longer exists. It's all Disney now, and their CFO is on the record that management has made a "'strategic decision' to re-direct Disney titles to direct-to-consumer streaming channels, rather than legacy retail channels."
https://www.mediaplaynews.com/disney-q2-home-entertainment-revenue-slips-due-to-lower-catalog-sales/
Basically, Disney wants to incentivize everyone to subscribe to Disney+ so they can build and maintain a consistent revenue stream, and they're deliberately not releasing catalog titles on discs in order to incentivize subscriptions. They've done the math and market research, and they decided they'd rather get $10 a month from you in perpetuity instead of selling you three $25 catalog titles a year.