Don't be ridiculous...that could be a $million dollar lawsuit. Plus the price of the lawyers.Hasslein said:Well, I think you need to reread the post & my previous posts. I never said I was unhappy with the set. I am ecstatic we got so many unedited episodes. The point I was making was that I gave them a chance, but will never watch the edited episodes, I will have to fix them to make them watchable. (Are you saying the Andy dub is good?) The music drowns out the dialogue in Frog Story, not so much increase in volume... What I wished would have happened with Pink Floyd? I wish a technician would have pulled a Star Trek "City on the Edge of Forever" & put the song in anyway & asked for forgiveness after the fact, because w/Floyd it wasn't a question of money, it was a because it was unavailable...
Contracts today usually try to get rights in all media for all territories in perpetuity. And today, to cover all eventualities, there's usually a clause like, "in all media, both that known today and that which will be invented in the future." But back then, no one knew there was going to be a gigantic home video market or the internet, so no one bought rights for anything beyond the TV network broadcast and possibly syndication.
Although I will be the first to admit that the music industry isn't doing well, the fact that labels and/or publishers held song rights back from this release is all about ego and greed. It would have done no harm whatsoever to have offered the rights for a reasonable and low cost and it could have even stimulated some sales of the tracks. It's not like you hear very much of each track or hear the tracks solo.
I'm amazed they cleared as much music as they did. I watched the show when originally broadcast (or in syndication), but I guess I didn't pay close attention because I never realized how much "real" music was in the show. With all those clearances, my guess is that Shout is not going to be making any profit on this release. Forget the licenses, just the labor cost of clearing the music must have been a small fortune. The only thing that makes it a little easier today is that there are now only three major record companies (Warner Music, Universal and Sony) and I suspect you can clear through the corporate parent and not have to clear via the individual labels and Shout, being a revival label, has a lot of experience clearing music for compilations and the like.