Jack P
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- Apr 15, 2006
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I won't beat up any further on Roberts, but I think even if she had succeeded with the part, we'd still have a film with far too many problems. I thought the film had too much of a clash of styles in which we went from Greystoke opening to a more campy tone in the present because the whole political intrigue plot based on the fact the evil brother just *happens* to be an NFL placekicker was too much for me to take seriously. There were a lot of lines that I immediately recognized as "Sempleisms" from previous films of his that didn't help either. The fact that Sheena keeps calling Vic "Vic Casey" like it's one name (which of itself is straight out of the "Me Tarzan" style of speaking) also conjured up recollections of how Sam Jaffee's Dr. Zorba would always refer to Vince Edwards as "Ben Casey" like it was one name (and honestly, it wouldn't surprise me one bit knowing Semple's way of writing if that was a deliberate inside joke of his). Another problem for me was Ted Wass. I had just seen him the previous year foolishly trying to fill Peter Sellers shoes in "Curse Of The Pink Panther" and I couldn't shake that out of my head.
I certainly wish a copy of the Raquel project script would surface so I could judge for myself if the result would have at least allowed her to show the independence that she wasn't allowed to show in "Fathom". It may be true as you say that the script would probably have let her down but then it would be a question of whether the performance could overcome that in the way that I felt Helen Slater did an excellent job of in 1984, overcoming a very problematic script in "Supergirl".
The most unfortunate comment in Ben-Ami's book is how he says in the intro that a film like Sheena "couldn't and shouldn't be made today" for reasons that stem from the usual realms of political correctness and no doubt tie into the reasons why all the more recent comic book versions of Sheena have been set in South America instead of Africa. I take the view that the concept of the Jungle Queen does come off as too anachronistic in a contemporary setting because there are very few parts of the world that are "mysterious" and "unexplored" that IMO can make such a character, whether a Sheena or a Tarzan for that matter plausible from a storytelling standpoint (especially in an age of cell phones and satellites that make the plots of many other classic movies obsolete like for instance Steven Spielberg's "Duel"). A period setting though of World War II or no later than the early post-colonial 1960s in the days of the Cold War could still be viable IMO.
I certainly wish a copy of the Raquel project script would surface so I could judge for myself if the result would have at least allowed her to show the independence that she wasn't allowed to show in "Fathom". It may be true as you say that the script would probably have let her down but then it would be a question of whether the performance could overcome that in the way that I felt Helen Slater did an excellent job of in 1984, overcoming a very problematic script in "Supergirl".
The most unfortunate comment in Ben-Ami's book is how he says in the intro that a film like Sheena "couldn't and shouldn't be made today" for reasons that stem from the usual realms of political correctness and no doubt tie into the reasons why all the more recent comic book versions of Sheena have been set in South America instead of Africa. I take the view that the concept of the Jungle Queen does come off as too anachronistic in a contemporary setting because there are very few parts of the world that are "mysterious" and "unexplored" that IMO can make such a character, whether a Sheena or a Tarzan for that matter plausible from a storytelling standpoint (especially in an age of cell phones and satellites that make the plots of many other classic movies obsolete like for instance Steven Spielberg's "Duel"). A period setting though of World War II or no later than the early post-colonial 1960s in the days of the Cold War could still be viable IMO.