I just got through watching 'The Score' again, and this is a prime example of why I absolutly love filmmakers who choose to shoot in the anamorphic format. Shot after shot after shot, the film flies in the face of those who want their 4x3's filled, it uses the anamorphic frame to it's fullest potential. I love directors and DP's who shoot anamorphically because they know that they are making a movie for the cinema FIRST AND FOREMOST. They are aware that their film will be severly cropped, but they do it anyway God bless em! I cannot imagine what this film looks like on Joe and Jane's crop box!