Jeremy Hegna
Supporting Actor
- Joined
- Nov 28, 2000
- Messages
- 812
Hi guys...thanks for the input. Rajiv, the extensive perspective is appreciated. I can't wait to find a Proceed dealer....I'll comb the Seattle area.
I, too, have only heard the B&Ws on Krell gear. I love the sound, but my options are full MSRP at the local B&M. I have the opportunity, as I said, to pick up the Bryston for Canadian price, American dollar. BTW, I am in Alaska, not Canada as I believe Justin thought. It's very close, however, very far away from Candadian society. Their aren't any dealerships until as far south as Edmonton and Vancouver. Fortunately, we get out a couple of times a year by plane. The alternative is a couple thousand mile drive
Shane mentioned,
"As far as Bryston's go, they are really revealing of your other components and I'd be curious of how decent of a noisefloor your 5800 has. "
I believe the S/N for the 5800 is in the high 70s, maybe 77 or 78. I know this doesn't compare to some of the upper 90 pre/pros....will I notice the difference?
I've looked at the next line down...the Rotel 1095, B&K 7250, and the Parasound 2205. They are all very nice and sound good, but the Krell and Mac gear seem limitless when I audition them....like you can keep turning up the volume and never hear anything but gorgeous sound.
I believe that when it is time to hand over the 5800 for a pre/pro...I will look at pre/pros that are very 2 channel friendly. Obviously, one that will perform HT duties well, but the musicality of the pre/pro will be my focus. I would even be willing to have a seperate HT pre/pro if it meant music quality degradation to only use one. For these reasons, I can only see investing in high quality amps the first time out....amps with things like 20 year warranties, and build like a tank. The more I've read about purchasing amps....regardless of Sound and Vision or some of the boutique European rags....they all agree that the double down of power is essential in your decision making. For this reason, I will stick with the $5k +/- price point. If there is one thing that COULD last for 20 years without obsolesence, it's our seperate amplifiers. At least this is one of the arguments I've remembered come up time and time again in the seperates vs. receiver debate.
Again, thanks for your insight everyone. I will still audition the Brystons...but I will continue to keep my eyes open and not cut any corners. It's a decision I don't mind taking time with.
Also, if anyone could comment on the noise floor of the 5800 and it's ability to be externally amped with revealing amps....it would be appreciated.
Jeremy
I, too, have only heard the B&Ws on Krell gear. I love the sound, but my options are full MSRP at the local B&M. I have the opportunity, as I said, to pick up the Bryston for Canadian price, American dollar. BTW, I am in Alaska, not Canada as I believe Justin thought. It's very close, however, very far away from Candadian society. Their aren't any dealerships until as far south as Edmonton and Vancouver. Fortunately, we get out a couple of times a year by plane. The alternative is a couple thousand mile drive
Shane mentioned,
"As far as Bryston's go, they are really revealing of your other components and I'd be curious of how decent of a noisefloor your 5800 has. "
I believe the S/N for the 5800 is in the high 70s, maybe 77 or 78. I know this doesn't compare to some of the upper 90 pre/pros....will I notice the difference?
I've looked at the next line down...the Rotel 1095, B&K 7250, and the Parasound 2205. They are all very nice and sound good, but the Krell and Mac gear seem limitless when I audition them....like you can keep turning up the volume and never hear anything but gorgeous sound.
I believe that when it is time to hand over the 5800 for a pre/pro...I will look at pre/pros that are very 2 channel friendly. Obviously, one that will perform HT duties well, but the musicality of the pre/pro will be my focus. I would even be willing to have a seperate HT pre/pro if it meant music quality degradation to only use one. For these reasons, I can only see investing in high quality amps the first time out....amps with things like 20 year warranties, and build like a tank. The more I've read about purchasing amps....regardless of Sound and Vision or some of the boutique European rags....they all agree that the double down of power is essential in your decision making. For this reason, I will stick with the $5k +/- price point. If there is one thing that COULD last for 20 years without obsolesence, it's our seperate amplifiers. At least this is one of the arguments I've remembered come up time and time again in the seperates vs. receiver debate.
Again, thanks for your insight everyone. I will still audition the Brystons...but I will continue to keep my eyes open and not cut any corners. It's a decision I don't mind taking time with.
Also, if anyone could comment on the noise floor of the 5800 and it's ability to be externally amped with revealing amps....it would be appreciated.
Jeremy