- Jun 13, 2002
World Trade Center (HD-DVD)
Studio: Paramount Home Video
Aspect Ratio: 1.85:1
HD Encoding: 1080p
HD Video Codec: VC-1
Audio: English 5.1 Dolby Digital Plus, French and Spanish Dolby Digital Plus 5.1
Subtitles: English; Spanish; French; English SDH
Time: 128 minutes
Disc Format: 2 SS/DL HD-DVD
Case Style: Keep case
Theatrical Release Date:2006
HD-DVD Release Date: December 12, 2006
World Trade Center is the true story of two New York City Port Authority policemen, Sgt. John McLoughlin (Nicholas Cage) and Officer Will Jimeno (Michael Pena), who, along with others from their squad, are dispatched to assist in evacuation efforts at the WTC on September 11, 2001. As the squad goes in, they are quickly caught in the collapse of the first tower, leaving McLoughlin and Jimeno trapped in the rubble as the rest of their squad is killed. Over the next twenty plus hours, the men endure fires, thirst, and more collapses that nearly kills them with each event. Their families are left to wonder if they are alive or dead, and the news and the Port Authority is no help. With the help of a divinely inspired Marine, Dave Karnes (Michael Shannon), McLoughlin and Jimeno are rescued and begin the long healing process, physically, emotionally and mentally.
Stone seems to be headed into more emotional works, deviating from the slew of political films that dominate his career. While World Trade Center could have become a political soapbox for him in about a second, he stays very far away from it to rightfully devote the movie to the two men and their families experiences. This picture hopefully signals the beginning of the next phase in Stone’s career as he gets into smaller, more personal pictures detailing the human element while staying away from the global conspiracies. He seems to have the tools to do more emotion based pictures, and in looking back at his work, it almost seems to be a missing component in them, at least to this extent. This movie makes up for it by having almost every scene laden with deep emotional weight and high tension. The real life participants experienced it, and it is easily convey to us.
World Trade Center is a beautifully produced picture filled with fine performances by everyone involved: I even found myself enjoying Cage for the first time in several years. When the actual event took place, I, like I’m sure most of America, became news junkies for the days following the attacks. I couldn’t turn off the news in the house, car, work, wherever; I was drawn to it to try to make some sense of what had happened. In the months and years that have now passed, I watched numerous documentaries about the incident as well as interviews with the survivors, so what I saw in World Trade Center came as anti climatic. I want to quickly follow up this statement by saying I am not discounting what McLoughlin, Jimeno or their families went through, but the movie does not give us anything new that we haven’t seen in one of the numerous interviews with the real life survivors. In fact, I was more interested in the hour long interviews with the real life participants on disc two than I was with the fictionalized account. Imagination can be a blessing or a curse, and what I had imagined listening to first person accounts of the attacks far outweighed what Stone delivered to me. For me, what it boils right down to is this: did we really need World Trade Center?
Note: I am watching this title using a Marantz VP 12-S4 DLP projector, which has a native resolution of 720p. I am using a Toshiba HD-A1 for a player and utilizing the HDMI capabilities of both units.
The VC-1 video is encoded at 1080p and it is correctly framed at 1.85:1. Paramount does the presentation a favor and dedicates the entire movie and a few small extras to disc one, allowing the movie space to truly shine. The HD-DVD exhibits a very natural color palate with warm hues in all of the scenes outside of Ground Zero, and cool, dark colors in the wreckage. Since a good part of the picture is spent with the officers trapped in the rubble, the disc will show off how good your display does shadow detail. Shadow detail was excellent on my projector and black levels were suitably deep and free of noise. There were numerous shots of the officers looking up to the light coming through the wreckage, and the picture maintained good delineation between the light and darkness, not allowing any video blooming or fringing. Edge enhancement was minimal. Detail was excellent throughout the picture, especially in the close-ups of Cage and Pena.
The Dolby Digital Plus soundtrack is attained by a 5.1 analog connection
I watched the feature with Dolby Digital Plus 5.1 track engaged. It provided a very subdued soundtrack with an excellent surround field. You clearly felt like you were entombed in the wreckage with McLoughlin and Jimeno as the surrounds add creaks and falling debris all around. When the initial collapse and several other debris shifts occurs, the bass kicks up to rumble the room making you duck for cover with the characters. Voices maintained a clear, natural sound and they were not susceptible to any echoes which may have taken us out of their plight. Since this is not a “disaster picture” in the 70’s sense of the phrase, this soundtrack adheres to that ideal by maintaining its restraint and allowing us to focus on the actors and their performances.
With the advent of HD-DVD, we are faced with several different audio and video codecs being used on each disc. Due to this, I have begun adding the encoding details as part of the explanation of bonus features when applicable and relevant. For this release, the extras are in VC-1 HD encoding unless otherwise noted.
2 commentaries, one by Oliver Stone and the other with real life survivors Will Jimeno, Scott Strauss, John Busching and Paddy McGee: After watching the documentaries featuring the actual participants, I wasn’t quite prepared to sit through two hours of even more analysis of the event. I plan on going back to this commentary in the future, but it was just a bit overwhelming at this point. I spot listened to parts of Stone’s commentary, and he expands on the difficulties in filming in NYC and other items he touches on in the other documentaries.
Deleted and extended scenes with optional commentary by Stone (MPEG-2) (17:45): a total of nine scenes: extended locker room, extended roll call, concerned business woman, fireman Johnny, original hole two through Allison making lunch, Judy gets word Jay is OK, John’s ghost, barbeque flashback, paramedic tends to John. The scenes tend to add little more to what’s already in the picture.
The Making of World Trade Center (53:30): a three part documentary that has extensive interviews with Stone, the actors, and their real life counterparts. You can feel the love and respect between these participants who tried very hard to honor the story and the event. The doc also details the difficulties in filming in New York City, and in the sets around L.A. Sound design, music, sets and effects are also mentioned.
Common Sacrifices (54:30): a two part documentary that covers rescue and recovery. This is the more personal story of McLoughlin, Jimeno, Strauss, their families and others as they detail the actual incident and the recovery. There are interviews with the doctors who worked on both men, including some very graphic photos of their wounds.
Building Ground Zero (25:00): Interviews with Jan Roelfs (production designer), Richard L. Johnson (art director) and others about how the sets were designed and built. There is some amazing information regarding some laser scans that was done at Ground Zero after the collapse that they incorporated into the film.
Visual and special effects (12:00): Interviews with the VFX team and how they used the laser imaging to build the digital sets.
Oliver Stone’s New York (24:30): Stone walks and talks about New York and what his childhood there was like, his war and college years, and how 9/11 affected him. This is not a bad intro to Stone overall.
Q & A with Oliver Stone (MPEG-2) (13:06): This segment is a excerpt from David Bafta’s David Lean Lecture Series featuring Stone. It took place on 9/6/06 in London and it was hosted by Mark Kermode. Similar to Inside the Actor’s Studio, Kermode and the audience quizzes Stone about the movie and Stone’s reasons for making it.
Five TV spots
While I question the necessity of this movie, World Trade Center delivers the stories of two participants respectfully and emotionally. You will be hard pressed to not get drawn into the story and experience some of the tension Sgt. McLoughlin and Officer Jimeno and their families went through. Paramount provides us with a great looking transfer that takes advantage of the disc space to truly come alive. They also give us an excellent set of extras that have more impact than the feature itself.