Bill Burns
Supporting Actor
- Joined
- May 13, 2003
- Messages
- 747
I don't think any of us would object if Fox were to license these to another company for release -- they've already brokered a deal with Criterion for a few other titles, or so I've heard (including Naked Lunch). If Criterion didn't want to handle them, other candidates might include Image (or quality companies that release through Image, such as Milestone and Fantoma), Kino, Anchor Bay, Blue Underground, All Day Entertainment, perhaps even Flicker Alley, whose sole DVD offering to date, 1928's The Garden of Eden, met with very flattering reviews.
So if Fox is reluctant to put their name on, or make money from, these films, a licensing deal seems the obvious solution. And if a profit margin is out of the question, all the better for the company to whom they license -- they'd only have to share such profit with Fox as recooped the studio's cost in preparing and delivering the materials. Restoration costs have already been absorbed by Fox (written off if they truly have no intention of releasing these films, but I hope that's not the case), and so shouldn't be passed on to the licensee. I can't believe Fox, or any other studio, believes there is any theatrically-released film in existence that should not be seen by anyone, including those who specifically wish to see it (fans), so leaving these films on the shelf makes little sense. Either release them directly or license them, but make them available to the people for whom they were made in the first place: the moviegoers who want to, and will, enjoy them (as I mentioned in an earlier post, historical context isn't rocket science -- such things are remarkably easy to understand, and so there's little reason to suspect those who specifically seek out these films are going to find them objectionable and protest their release; if Fox must, put a warning sticker on the outside of the box; if it works for objectionable material in the recording industry, hey ... why not here? But it is an absolute necessity, a deal-breaking standard, that no alterations be made to the content).
In post #12, I suggested possible commentary supplements, and I'd still love to see (or rather hear) these, but even if the films are made available sans supplements, such would be better than not at all. And once again, if these series' are released in their entirety, they would represent purchasing priorities for me. As would just about any major studio product from the late silent and early sound period.
So if Fox is reluctant to put their name on, or make money from, these films, a licensing deal seems the obvious solution. And if a profit margin is out of the question, all the better for the company to whom they license -- they'd only have to share such profit with Fox as recooped the studio's cost in preparing and delivering the materials. Restoration costs have already been absorbed by Fox (written off if they truly have no intention of releasing these films, but I hope that's not the case), and so shouldn't be passed on to the licensee. I can't believe Fox, or any other studio, believes there is any theatrically-released film in existence that should not be seen by anyone, including those who specifically wish to see it (fans), so leaving these films on the shelf makes little sense. Either release them directly or license them, but make them available to the people for whom they were made in the first place: the moviegoers who want to, and will, enjoy them (as I mentioned in an earlier post, historical context isn't rocket science -- such things are remarkably easy to understand, and so there's little reason to suspect those who specifically seek out these films are going to find them objectionable and protest their release; if Fox must, put a warning sticker on the outside of the box; if it works for objectionable material in the recording industry, hey ... why not here? But it is an absolute necessity, a deal-breaking standard, that no alterations be made to the content).
In post #12, I suggested possible commentary supplements, and I'd still love to see (or rather hear) these, but even if the films are made available sans supplements, such would be better than not at all. And once again, if these series' are released in their entirety, they would represent purchasing priorities for me. As would just about any major studio product from the late silent and early sound period.