EdH
Auditioning
- Joined
- Oct 21, 2001
- Messages
- 7
Hi all,
I usually lurk here but I had to jump in, since the Alliance Atanarjuat vs. CTHV The Fast Runner is a topic I'm pretty passionate about.
Atanarjuat was shot on digital video, then transferred to film for theatrical release. Most films shot on video use the PAL format, since PAL is closer to film's frame rate and won't suffer as much during a transfer to film. Atanarjuat, however, was shot on NTSC video, and underwent a painstaking transfer to film. The cinematographer, Norm Cohn, has spoken in interviews about how extraordinary this process was. The movie went on to win numerous awards around the world and was praised for its cinematography.
I saw Atanarjuat in the theatres and thought it was one of the greatest theatre experiences I ever had. I purchased the R1 Columbia DVD when it came out, and was aghast when I watched it. Instead of using the film elements as the transfer source, they used the original video elements. This not only destroyed the movie's "film" look, it also had the unfortunate byproduct of speeding up the film. This accounts for the time difference between the US and Canadian releases.
Yes, the picture on the US release is crystal clear and sharp as a tack. But it is not the movie that I saw in theatres, and not the movie that won the Camera D'or. I ended up selling my copy. It's unwatchable.
At the end of the day, it's comes down to a matter of preference. Some prefer the video transfer, others the film transfer. I haven't heard anything from the filmmakers as to their preference. But I wanted to point out that it is not a universal conclusion that the Alliance version = crap. Here's a link to another thread on the topic, demonstrating that there is no clear consensus.
http://www.dvdtalk.com/forum/showthr...hreadid=271735
I usually lurk here but I had to jump in, since the Alliance Atanarjuat vs. CTHV The Fast Runner is a topic I'm pretty passionate about.
Atanarjuat was shot on digital video, then transferred to film for theatrical release. Most films shot on video use the PAL format, since PAL is closer to film's frame rate and won't suffer as much during a transfer to film. Atanarjuat, however, was shot on NTSC video, and underwent a painstaking transfer to film. The cinematographer, Norm Cohn, has spoken in interviews about how extraordinary this process was. The movie went on to win numerous awards around the world and was praised for its cinematography.
I saw Atanarjuat in the theatres and thought it was one of the greatest theatre experiences I ever had. I purchased the R1 Columbia DVD when it came out, and was aghast when I watched it. Instead of using the film elements as the transfer source, they used the original video elements. This not only destroyed the movie's "film" look, it also had the unfortunate byproduct of speeding up the film. This accounts for the time difference between the US and Canadian releases.
Yes, the picture on the US release is crystal clear and sharp as a tack. But it is not the movie that I saw in theatres, and not the movie that won the Camera D'or. I ended up selling my copy. It's unwatchable.
At the end of the day, it's comes down to a matter of preference. Some prefer the video transfer, others the film transfer. I haven't heard anything from the filmmakers as to their preference. But I wanted to point out that it is not a universal conclusion that the Alliance version = crap. Here's a link to another thread on the topic, demonstrating that there is no clear consensus.
http://www.dvdtalk.com/forum/showthr...hreadid=271735