- Joined
- Feb 8, 1999
- Messages
- 18,424
- Real Name
- Robert Harris
I've always been a huge fan of Franco Zeffirelli's Shakespearean outings. From the exuberant 1967 Taylor-Burton epic for Columbia, followed by Romeo and Juliet a year later, to Otello (1986) with Placido Domingo and Hamlet (1990) with Mel Gibson, Glenn Close, Alan Bates and Paul Scofield, his films had always been beautifully crafted.
Criterion's new Blu-ray of Romeo and Juliet is still a magnificent production, regardless of the recent legal maneuverings, of which I have no opinion.
Finally, someone told the tale with age-appropriate actors, and it worked.
Criterion's new Blu, based upon a scan of the original negative is quite lovely, with an overall beautiful image. Grain gives it the full-blown look of a 35mm print.
Not an original Technicolor print, mind you, but lovely Eastman Color. The difference are interesting, and here is a case via which a 4k UHD might have made a different.
The original dye transfer prints were bold in their representation of colors, especially red velvets. They popped. Here, everything looks correct, but without that dye transfer "pop."
Just a different look.
And then, of course, there's that gorgeous Nino Rota score, and the cinematography of Pasqualino De Santis (Juliet of the Spirits, The Damned, Death in Venice).
Image – 5
Audio – 5 (Monaural)
Pass / Fail – Pass
Works up-rezzed to 4k - Yes
Upgrade from DVD or import Blu-ray - Yes
Very Highly Recommended
RAH
Thank you for supporting HTF when you preorder using the link below. As an Amazon Associate, HTF earns from qualifying purchases. If you are using an adblocker you will not see link.
Criterion's new Blu-ray of Romeo and Juliet is still a magnificent production, regardless of the recent legal maneuverings, of which I have no opinion.
Finally, someone told the tale with age-appropriate actors, and it worked.
Criterion's new Blu, based upon a scan of the original negative is quite lovely, with an overall beautiful image. Grain gives it the full-blown look of a 35mm print.
Not an original Technicolor print, mind you, but lovely Eastman Color. The difference are interesting, and here is a case via which a 4k UHD might have made a different.
The original dye transfer prints were bold in their representation of colors, especially red velvets. They popped. Here, everything looks correct, but without that dye transfer "pop."
Just a different look.
And then, of course, there's that gorgeous Nino Rota score, and the cinematography of Pasqualino De Santis (Juliet of the Spirits, The Damned, Death in Venice).
Image – 5
Audio – 5 (Monaural)
Pass / Fail – Pass
Works up-rezzed to 4k - Yes
Upgrade from DVD or import Blu-ray - Yes
Very Highly Recommended
RAH
Thank you for supporting HTF when you preorder using the link below. As an Amazon Associate, HTF earns from qualifying purchases. If you are using an adblocker you will not see link.
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