Rob_Ray
Senior HTF Member
It played on NBC in primetime some time in the mid '70s.
The New York times original review says the film's length is 157 minutes. I assumed they were including the entr'acte and the exit music. It also lists a date as April 2nd 1969. That means the New York premier was April 1st. However the world premiere was in Boston so that means it opened in March. also bluray.com labeled this a 4K restoration though on this site it said it was a 4K transfer. Not having any technical knowledge of these things I'm not really sure what the difference is. Also it lists the length of the film at a hundred and thirty minutes. A bit of confusion there.
Did it ever play on primetime network television in the 70s? I don't recall...I also don't recall ever really seeing it in syndication in the Big Cable 80s when everything was showing on television. I don't recall seeing it all until AMC started playing it.
I remember one of the networks (maybe ABC) had late night coverage of the Hollywood premiere. All I remember from it was the theater that was showing it (Grauman's?) had piped Shirley MacLaine's "I'm a Brass Band" onto the pavement while the emcee interviewed celebrities going in to see it.
Thanks for the info!Not the Chinese - the Pantages.
A bonafide commentary, as spoken by a true theater and film historian, would have made mention of Stubby Kaye; especially in light of his singing a major number. Thankfully, though, we do have an essay by Ms. Kirgo.[...] I don't think she even mentioned Stubby Kaye's name.
It might have been in this thread but it The Rich Man's Frug out of sync?
I had the exact same problem adjusting the sound between the dialogue and musical numbers. Should we ask for remaster of the audio track?Okay, finally we can hear about the French vs. the Kino. The French loses - while it looks very good, it is clearly not a new transfer - there's gate weave in the opening credits, and the grain is clunky, especially on the opticals, of which there are many. You don't notice this UNTIL you compare it to the Kino - which is clearly a new 4K transfer (NOT restoration) - grain looks like it should (LIGHT), sharper image, and everything looking a movie.
Sound is another story. It's fine when you boost it about 10db - I have my volume set the same for every movie - occasionally I have to adjust up or down a db or 2, but this one's mastered hugely low - baffling really. Once you turn the sound up, it's fine and pretty much similar to the French, which doesn't need to be turned up.
Another maddening thing, a packaging thing I will NEVER EVER understand... You open the case - there's a booklet on the left and a blu-ray on the right. Naturally, the assumption would be that that's the roadshow and what you want to watch. It's not - it's the "alternate" version sans overture - yes, it's stated on the disc but no one is going to look at the disc. In fact, you don't even notice that there's a disc under the booklet until you actually remove the booklet. Kino is not the only guilty party here - but it's just dumb, IMO - minor, yes, but irritating, yes.
Nitpicks aside, I can't imagine anyone not being happy with the quality of this - and yes, it is a major screw-up not to have the Intermission and exit music - words have meanings and ROADSHOW means the ENTIRE ROADSHOW experience start to finish. I surmise Kino doesn't know the film or what the Roadshow was and so just took what Universal gave them and didn't know enough to ask for those musical items.