Jaws Raiders Of The Lost Ark Indiana Jones And The Temple Of Doom Star Wars OT LOTR (EE) The Who: The Kids Are Alright Empire Of The Sun The Good, The Bad And The Ugly Once Upon A Time In The West The Incredibles Jurassic Park North By Northwest Spider-Man 1 & 2 War Of The Worlds A.I. Artificial Intelligence Back To The Future E.T. The Extra-Terrestial
you guys already named the modern ones. i can't name 10, but here goes:
-All of the following titles will have their film negatives washed, preserved in the library of congress as digital backups in hi-def, and go through somn like the lowry digital touchup:
-Seven Samurai and the entire Kurosawa catalogue. -Citizen Kane -Entire F.W. Murnau catalog. -Entire Charlie Chaplin catalog. -Entire Buster Keaton catalog. -Entire Harold Lloyd catalog. -Entire Fritz Lang catalog. -Entire John Ford catalog. -Entire John Huston catalog. -Entire Ernest Lubitsch catalog. -Entire Elia Kazan.
i think there's more, but i'll be REALLY happy if the above occus.
2001: A Space Odyssey 20,000 Leagues Under the Sea Alice in Wonderland Anne of Green Gables (1985) Annie (original) The Bad and the Beautiful Bambi Bedknobs and Broomsticks The Best Years of Our Lives Blazing Saddles Cinderella Doctor Zhivago Dumbo E.T. The Extra-Terrestrial (original version) Fantasia (uncut, uncensored) Gone With the Wind Hello, Dolly! How the West Was Won The Inn of the Sixth Happiness The King and I Lawrence of Arabia The Many Adventures of Winnie the Pooh The Music Man (original) the first 3 Muppet Movies My Fair Lady Oklahoma! (both Cinemascope and Todd-AO versions) Oliver! Patton Pete's Dragon (uncut 134-minute version not seen since L.A. Premiere) Pinocchio The Producers (original) Singin' in the Rain Sleeping Beauty Snow White and the Seven Dwarfs The Sound of Music South Pacific (uncut) The Three Caballeros Toy Story 1 and 2 Who Framed Roger Rabbit (uncensored) Willy Wonka and the Chocolate Factory (original) The Wizard of Oz
There are many, many more but these are all I feel like listing.
Lord of the Rings(extended editions) Indiana Jones Star Wars Saga(All of them) Independance Day Armagedon Gladiator Saving Private Ryan Terminator Trilogy Stargate The Matrix Trilogy Hunt For Red October Crimson Tide Alien (All Of Them)
Ran - I can't think of a better movie to put HD through its paces. Not only are the colors striking, but the entire movie is comprised of long shots that would benefit greatly from the extra resolution of 1080P.
i know i mentioned it but, don't you guys agree that before becoming a 1080p transfer, the original film's negatives have to get washed up and go through similar to Lowry Digital or what WB has? just wonderin'. do you guys REALLY want these films in 1080p with hair follicles, dirt, dust, out of focus, etc? just the pure fact of 1080p won't do it for me. it's the original film element that concerns me.
Bad splices and major damage bother me (like prints that get scratched or damaged during release). But I don't mind "normal" and occasional film artifacts. I watch movies in "ultimate" resolution all the time...at the theater projected in film. and they look great. Taking a 1080P digital "picture" of those films makes my home-theater look more like the real thing...and less like video...minor print damage and all.
Personally, I'd rather get 1080P mastered discs with great image detail and some minor/occasional film artifacts than have all the natural detail air-brushed away some some "grain is bad" techy behind a console who doesn't really know what the *film* is supposed to look like.
well that's why i mentioned WB/Lowry Digital. but at minimum, studios must clean up those original elements. there are current DVD releases of MODERN films that look terrible projected. forrest gump, the professional, lawrence of arabia comes to mind.
Agreed Lowry would do a decent job, though I can see most studios simply doing DNR to "clean up" movies for HD which destroys real detail. Lowry costs $$ but DNR is just a button on the console in front of them.
Yes but you're missing the point I'm making...in both those cases the PROJECTED FILM PRINT of the same movies looks breathtakingly BEAUTIFUL. The DVDs look bad not because the film-elements are bad, but because of electronic muddling or inferior film-digital transfering (resulting in ringing on LOA for instance).
If the proper film prints were simply "digitized" through a 1080P lens, they would look GREAT...though the real film would of course look better still.
Think about this...in general (let's not pull in the exceptions here) when you see movies projected in the theater do you find yourself distracted by noise in the image? Of course not...you see a pristine and high-resolution image with amazing color-space and naturalness that looks good even 50 feet wide. Why then would you assume that the "film elements" are to blame when the same movies are digitized and displayed via DVD at only a fraction of that scale and now look terrible in your HT?
This principle applies to some studio mentality too. When I noticed how blurry and filtered the Inn of the 6th happiness looked on DVD, I contacted FOX to try to find out why. I talked to a cool guy who knew a lot about the restoration of the film. He said that FOX had done a fantastic job restoring the film elements and that he'd seen the film print properly projected and it looked "amazing". Got that...the film print looked "amazing" on a big-theater screen. I'm making that clear because in the VERY NEXT BREATH he said "of course, we had to do a lot of digital clean-up for the DVD".
HUGH?!?
That's why the DVD looks SO BAD. It's because they F_!#*@ed up a gorgeous film print by trying to do something stupid like getting rid of fine-film-grain or something, that looked just-fine on the big screen, yet for some reason was going to be a problem for much smaller screens in HT systems?!?
:rolleyes
At HTF it's important that we get our thinking straight on this because it's up to us to help teach the studios how to properly present the film medium on digital disc. That's right. It's up to us. Low-budget studios are likely to make better looking HD discs because they'll be tempted to do less digital meddling because they don't have the $$ or the tools. But big-budget studios are going to want to play with their dials when mastering for DVD...and the "this dial goes to 11" mindset will be a risk given that many of the technicians who play with the image of your movie during mastering have no clue what movies are supposed to look like (just like many audio engineers have no ear for sound).
It's up to videophiles in the HT community to make sure that the studios get this right. And it may take a few tries with some titles...hopefully fewer. DVD has been a good traning ground...THX for instance has finally learned about the nasties of EE and FOX and Paramount know how to put out a great unfiltered picture...but there is still a long way to go!
In the end, a 1080P copy of a movie should look as "transparent" to the film-source as possible.
That means fine-film grain should be visible. That means that 1080P movies should not look like "video". That means the studios need to take good-quality film elements, digitize them, and then be careful to exercise caution and moderation when "digital cleanup" is deemed necessary.
well you're certainly expecting A LOT from studios, David =).
have you seen Star Trek Generation 2 disc SE from Paramount? they overdid the edge enhancement and now everything looks terrible despite starting with a fairly NEW film element.
i ain't sayin it's gonna happen, but what if movie studios applied more digital fx during the transfer of film to 1080p? wouldn't that render the final 1080p look terrible?
ultimately, it's upto the movie studio/artist (if they're alive) to oversee BOTH film element AND final 1080p transfer for good QA. yeah, it's a lot of films, but for many people (like me), this is the final resting place for film collectors. it's the end of the line (for me). even if 8000x4000 came out later on, i wouldn't buy it. the quality would be marginal because 1080p blown up to 250' is already pretty sharp. why go higher? the next step is trek-like stuff.
It sounds like we're acutally agreeing here. I just wanted to be VERY clear about the differences of a "bad" 1080P image in terms of problems arising from the original film print versus subsequent digital/electronic-domain processing.
Yet another great example of a perfectly fine "film" made to look crappy in digital video form because of unnecessary processing in the digital domain. The war is not over yet...and it's up to folks like those of us at HTF to keep our voices clear on these matters so the studios are forced to listen.
It's one thing I plan to do in my Blu-ray reviews.
And take heart faithful videophiles...our voices HAVE been heard. It's one reason that we've got the success stories that we have. Remember that halo-ridden blurry Phantom Menace DVD that THX defended as being reference quality? Look how far FOX and THX have come with the latest DVD installment of that series. Night and day. And a large part of it is because of the flack that FOX and THX took for that piss-poor excuse for a THX-certified DVD just a few years prior.