Mike_Skill
Stunt Coordinator
- Joined
- Jun 20, 2000
- Messages
- 69
Does anybody else have a problem with the majority of these types of reviews?:
Video: Images are quite pleasing at all times, never leaving the viewer emulsified with an abundance of bloom-crawl. Frames are plugged-up without being too plugged-up, with delineation that is solid, and quite evident. Pixilation is exhibited, but never ceases to become bothersome or un-pleasurable. Over-saturation occurs only on occasion for a visceral experience that will continue to satisfy. Edge enhancement is apparent but is not overtly obtrusive. Traces of jaggiez are rendered throughout, via this reviewers component zurak 9-Sr digital compensator, but are solid after the non-obtrusive layer switch placed quite delicately in chapter 12. What impressed me most about this picture is its ability to sequester the viewer in emulsification. Despite the on and off plugged-upedness, coupled with the occasionally unnecessarily edge-enhanced visage, this is an visual experience that is sure to please.
Audio: Albeit slightly forward in its holosonicness, this satisfying soundfield is an immensely pleasurable aural experience, creating a thoroughly engaging holosonic dimensionality rarely heard in todays modern soundfield tracks. Expansion and envelopment are prominent immersing the listener in rich textures of holosonic warmth and subtlety without being overtly confining or distracting. Every nuance of the track is extracted by the addition of the higher data rate utilized in this somewhat subdued quiescent aural field. Particularly notable is the convincing presence of an expansive, immersive, and holosonic sense of dimensionality. This poignantly wide sound stage impresses us greatly with the ease in which it pleases us. The .1 LFE is never used sparingly, with thundering frequencies that we measured below 20hz, effectively bottoming out our patented 'reber scale-o-scope'.
Don't miss this as a fine example of how a soundtrack can exhibit sub-25hz extension throughout all channels, immersing the listener in effective spatial integration rendering everyone in the room holosonified.
Video: Images are quite pleasing at all times, never leaving the viewer emulsified with an abundance of bloom-crawl. Frames are plugged-up without being too plugged-up, with delineation that is solid, and quite evident. Pixilation is exhibited, but never ceases to become bothersome or un-pleasurable. Over-saturation occurs only on occasion for a visceral experience that will continue to satisfy. Edge enhancement is apparent but is not overtly obtrusive. Traces of jaggiez are rendered throughout, via this reviewers component zurak 9-Sr digital compensator, but are solid after the non-obtrusive layer switch placed quite delicately in chapter 12. What impressed me most about this picture is its ability to sequester the viewer in emulsification. Despite the on and off plugged-upedness, coupled with the occasionally unnecessarily edge-enhanced visage, this is an visual experience that is sure to please.
Audio: Albeit slightly forward in its holosonicness, this satisfying soundfield is an immensely pleasurable aural experience, creating a thoroughly engaging holosonic dimensionality rarely heard in todays modern soundfield tracks. Expansion and envelopment are prominent immersing the listener in rich textures of holosonic warmth and subtlety without being overtly confining or distracting. Every nuance of the track is extracted by the addition of the higher data rate utilized in this somewhat subdued quiescent aural field. Particularly notable is the convincing presence of an expansive, immersive, and holosonic sense of dimensionality. This poignantly wide sound stage impresses us greatly with the ease in which it pleases us. The .1 LFE is never used sparingly, with thundering frequencies that we measured below 20hz, effectively bottoming out our patented 'reber scale-o-scope'.
Don't miss this as a fine example of how a soundtrack can exhibit sub-25hz extension throughout all channels, immersing the listener in effective spatial integration rendering everyone in the room holosonified.