I would question when he is going to be able to do another one. His next project is a Star Wars movie, so that's going to keep him busy, along with various other projects he has a hand in.I still think Waititi is the best thing to happen to the Thor series & character and I'm looking forward to his next installment.
Why?I was quite disappointed with this.
I don’t love Watiti’s tone and sensibilities. He somehow managed to make it work in Ragnarok, but it just didn’t work for me in this. Nothing felt like it had weight or tension. The pacing seemed off to me. The Guardians didn’t feel right and were quickly removed from the story. I didn’t like Crowe’s Zeus at all. There were a few really nice moments, and a few cool moments, but over all I just felt “meh” most of the time. And that is absolutely not what I hoped to feel about a new Thor adventure.Why?
Often, a director will come to my attention because Kevin Feige decides to hire them. I hadn't seen anything by the Russos, James Gunn or Jon Watts before they came on board the MCU. But every once in a while, Feige will go and get a director I already like, which was the case with Waititi when he signed on for Ragnarok. Have you seen his Hunt For the Wilderpeople? I really loved that movie.I don’t love Watiti’s tone and sensibilities.
I agree with that.Nothing felt like it had weight or tension.
How so? I ask this because although I agree with many of your other points, I didn't have a problem with the Guardians. But as you noted, they're not in it much.The Guardians didn't feel right
Did you expect them to stick around the story for a long time? I was not surprised at the smaller size of their roles. If they had a significant story arc in this film, that would necessitate changes to Vol. 3 to reflect their growth. Since Vol. 3 was written a long time ago to come out first, I didn't expect them to stick around In this movie long-term. I looked at this as just a bonus appearance from them that wouldn't have happened if Vol. 3 was made on its original schedule.and were quickly removed from the story.
In this particular case, I think that was the point. The movie clearly wants you to dislike him, so Crowe did his job in that regard.I didn’t like Crowe’s Zeus at all.
I think it is clearly better than The Dark World. It's not as good as the original Thor or Ragnarok, which remains the best of this sub-franchise.Based on the reactions here, it sounds like The Dark World all over again.
I'm guessing he was trying for Greek but didn't quite get there.His accent sounded more Italian than Greek to me or was that the real intention.
I think it was important to keep Hiddleston out of this story in order to maintain the significance of Thor's Loki's death in Infinity War. Even though we now know the other version of Loki from his TV show, Thor doesn't know anything about that and hasn't experienced what that Loki has experienced. That Loki didn't go through The Dark World and Ragnarok with Thor either, which is a big difference. Even though I understand the desire to see Hemsworth and Hiddleston together again, I don't think there was a way to fit that character into this story. To do that, they would have to take up a lot of time catching Thor up on the events of the TV show, and it would undermine his sense of loss again for very little benefit. This movie had enough other things going on that they didn't need Loki too. I didn't really think about him at all during this.the absence of Tom Hiddleston is acutely felt
I agree that Bale was good. Bale is always good. But honestly, I don't think they needed to have the sword corrupting him at all. "The gods failed to save my daughter and don't give a crap about helping people so they're going to die" was enough of a motivation that I don't think it needed further explanation.if you watch the progression of his scenes, you really do see the corruption of his character by the sword.
I would guess they simply didn't feel the need to repeat that joke. The only way to play that any differently than it did in Infinity War is if Thor actually sees a real rabbit for comparison with Rocket. Since Rocket wasn't coming to Earth in this movie, there wasn't a real way to do that.(Thor and Rocket in the same movie and we can't hear Thor say "Rabbit" once?)
I agree. I think the issue is that she doesn't really have an arc here, She got a big one in Ragnarok, but they didn't really seem to have an idea of how to actually progress her character in this one. Thompson is good in it, but Valkyrie ends this movie in the same place as she begins it. I did love that she had The Phantom of the Opera T-shirt, though.Same goes for Tessa Thompson as Valkyrie. She was in it a lot but I wished we saw more of her, and got deeper into her character.
I just took what the movie said at face value.I mean, if she kept the hammer, could she have continued to thrive?
Given the events of the mid-credits scene, I think it is very clear that Crowe will be back at some point.I hope they've set him up to recur. (A battle of the gods, maybe?)
I don't think Taika Waititi is very interested in Sif or the majority of the supporting cast in the first two movies. That's why he discarded so many of them for Ragnarok. He made that clear again during the narration from this movie when referring to characters in a throwaway manner like "that guy died," etc. I would be very surprised to see Sif explored substantially if Waititi is directing.I always liked Jaimie Alexander as Sif and was glad to see her back, but as I feared, her part was miniscule.
The person who got to Eternity first could wish for anything they wanted. What Gorr wanted was his daughter back. I think that pretty much covers it.Another thing that could've used more explanation is how Gor's daughter was saved by the interaction with Eternity.
I actually liked that the final scene with Thor and Jane and Gorr was quieter. It was a nice change of pace. If the rest of the movie had given us some more quieter moments instead of tagging everything with jokes, the story might have felt more emotionally impactful.The movie is missing the kind of big, triumphant moment that Thor had in films like Ragnarok, Infinity War and Endgame. That's okay - they shouldn't repeat themselves, but it doesn't feel as satisfying without it, even if he is ultimately triumphant.
I love spending time there too. I don't think many fans would say that spending time there is the problem. I think one of the larger issue with this movie is that it didn't really bring anything new to the table that we haven't seen before. It was pleasant and well-made and the actors seemed to be having fun in it. There's nothing really objectionable about it. But we have also seen much better.One of the charms - and some might say the problem - of these Marvel films is the chance to revisit the Marvel Universe and spend some time there.
For me, the humor in and of itself wasn't the problem. There was funny stuff in there and that's a good thing. It was that the humor was so over-the-top and so consistent throughout that it detracted from the other elements that the story also needed.Humor is subjective, so I get why some people didn't like it, but for me and my kids it was a total blast.
I was howling at Crowe's Super Mario accent and hambone performance.I very much enjoyed Russell Crowe, and I'm not known as a Russell Crowe fan (some movies of his I like, some I don't). But his Zeus, and especially his scenery chewing, was one of the delights of going to the movies. I hope they've set him up to recur. (A battle of the gods, maybe?)
Gorr's plan was to ask Eternity to destroy all the gods. But with the sword having been destroyed, he began dying. But the corruption that overtook him started to dissipate, and he ultimately chose love instead of hate by asking Eternity to bring his daughter back to life, knowing that Thor would look after her. The resurrection also gave her god-like powers.Another thing that could've used more explanation is how Gor's daughter was saved by the interaction with Eternity. Now, Eternity is a character (an entity?) that I never quite understood even when I read comics, which was decades ago. I'm willing to chalk the little girl's fate up to cosmic powers (something like the Q from Star Trek?) and leave it at that.
That last scene before the credits was awesome. I got a little choked up when Korg dubbed them Love and Thunder.The movie is missing the kind of big, triumphant moment that Thor had in films like Ragnarok, Infinity War and Endgame. That's okay - they shouldn't repeat themselves, but it doesn't feel as satisfying without it, even if he is ultimately triumphant.
I got a little choked up when Korg dubbed them Love and Thunder.
We'll find out more about herI wish they would have allowed us to know Love as a character better. She is dead for literally the entire movie until the end. I understand that her being dead was key to Gorr's motivation. But we don't know anything about her, which makes it more difficult to care when Thor takes custody of her.
I wish they would have allowed us to know Love as a character better. She is dead for literally the entire movie until the end. I understand that her being dead was key to Gorr's motivation. But we don't know anything about her, which makes it more difficult to care when Thor takes custody of her.
This is where (I believe) an extra few minutes could have added some depth to the film, by fleshing out some characters, including Gorr and his daughter.