- Joined
- Feb 8, 1999
- Messages
- 18,428
- Real Name
- Robert Harris
A huge proportion of extra costs for 4k is clean-up. While certain entities continually abuse the term “restoration,” they don’t pay for it in time, investment, sweat or blood.It's very interesting to hear somebody actually state that a UHD costs four times more than a blu-ray to produce, as I haven't seen any other publishing company state in dollars and cents what the production costs and profit margins are for discs. Some companies, which specialise in scanning films for making video masters, state what their charges are for 2K and 4K scans. But scanning film is only part of the cost of making a UHD. Mastering and authoring costs, as well as printing and shipping costs, also factor in. Companies obviously have no interest in displaying what their costs are and what their profit margins are. They want to earn as much as possible for their business and customers want to pay as little as possible.
If one compares Arrow Video's recently released blu-rays with their recently released UHD counterparts, it looks like their recommended retail price is double for the UHD version. Criterion's The Red Shoes has a SRP on their website at $39.95 for the DVD and the blu-ray editions, and $49.95 for the UHD. I would guess that they are counting on high volumes of sales to offset the production increases.
Warner Archive Collection probably have low profit margins, as they usually don't provide much in the way of supplements, which are much more expensive to produce, compared with their in-house scanning and restoration productions costs. I remember George Feltenstein saying that they would only release a blu-ray of Captain Blood, if The Sea Hawk sold enough copies to justify it. And it obviously didn't.
Warner Archive does precisely that.
In real numbers, digital clean-up, x an auto-pass, can easily run $25,000 to $250,000 for 4k.
The reality of the digital clean-up area of restoration is simple.
Perform work oriented toward a 2k final, and regardless of how much work is performed, once problems of a certain size are dealt with, smaller bits come to the fore. Go back. Clean more. Ditto.
Attempt that with 4 times the resolution, things snowball.
Desire a “pristine” image?
Good luck!
It pains me when films of a certain age are prepared, restored on Blu-ray, and need good numbers out the door to move more important titles forward in the process - and they’re beautifully reviewed.
And a certain proportion of prospective buyers make note on line that they’ll wait for the sale.
Discs are incredibly inexpensive these days, and have the capability of mimicking a 35 or 70mm print in one’s home theater.
Think $20-40.
Back in the glory days of film collecting, desire a nice dye transfer print of N x NW or The Searchers?
Get ready to put off the next car purchase.
Easily $4,000 - $5,000. In 16mm.
Point being, these little silver discs that we love, are extremely expensive to produce Properly.
Support the infrastructure.