Mike Broadman
Senior HTF Member
- Joined
- Aug 24, 2001
- Messages
- 4,950
Hey all, I have a question about open matte: What is open matte? I've seen this term thrown around in the discussions about P&S, and people seem to think it is a "bad" thing.
In the scene where Pee Wee pulls his bike up to the clown in front of the shopping mall, he starts to pull a rather long chain out of his saddlebag, in the open matte version you can actually see the chain being fed up through a false bottom of the bag!
In the scene where he, and the convict Micky are driving at night, they begin to pass various strange road signs with crazy markings on them, in the incorrect open matte version, you can clearly see that the signs are on tracks being pulled past the camera, giving the illusion that the car is moving.
Heheh that's hilarious. Screen grabs?
Most open matte I've seen (which isn't a lot recently) isn't quite that bad, although often far from what was originally intended of course.
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I'm just not clear on one thing, though. Why is this issue so closely intertwined with widescreen / P&S? It seems to me like you can have an OAR presentation that is open matte (so it would be like a projectionist not applying the matting in a theater) and you can have matted P&S, unless I'm missing something.
It's so closely intertwined because many movies which are filmed open matte are then presented that way on video instead of showing the Widescreen matted version or a P&S version. The argument is that you then actually GAIN picture on a "fullscreen" version if this is done, and that it can be a good alternative to P&S.
But as the examples have pointed out, many times this extra uncovered picture contains information that was never to be shown. And in many cases, not all scenes are shown as open matte, but rather P&S for special effects shots or those they've zoomed in on to hide the extra information that should not be shown. This then means you are jumping around from a picture that has too much picture, to one that is cropped, and back to too much (this effectively rules out using your own mattes on the screen to get the proper composition as some people suggest).
In any case, the composition is sacrificed, is not what was intended and therefore just as evil as P&S.
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Again, it's not clear how you're using the terminology. If a film is shot soft-matte and transferred to video open matte, the OAR fans will complain, loudly.in order to said:Quote:
So then I take it that the issues of open matted and P&S are not really related in a technical sense. Rather, they are just two different ways of doing the same thing: making the image the same size as a TV screen, which, by its very nature, destroys the OAR, since it wasn't filmed with those dimensions in the first place.
By George, you've got it!
In practice, though, most open matte transfers do involve some panning and scanning, either to cover up mistakes or to deal with special effects shots. So while "open matte" and P&S may be technically distinct, they usually go hand-in-hand.
M.