Frank Soyke
Screenwriter
It's a little bit of a tangent, but I always kinda wondered about the rationale the networks had at the time to film some of the very first seasons of those 1965 shows in b/w. The 64 shows like UNCLE and Gilligan I can kind of understand as that was the last season many shows were still being filmed in b/w, but by 65 when most shows were either debuting in color or switching to it, why on earth would they put out brand new shows they are trying to build an audience for like Jeannie, F Troop and Wild Wild West in b/w which was quickly becoming obsolete at the time. What was the rationale at the time? I mean what genius decided, "OK, we film Hogan's and Get Smart in color (sans pilots) but Jeannie and Wild Wild West in b/w."? What was the arbitrary criteria to decide? Just a thought.