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- Feb 8, 1999
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- Robert Harris
WarnerColor was a process ill-used in many occasions, for which it’s received a bad reputation. Based upon the generic Eastman taking stock of the era, 5248, it was printed single strand to standard positive stock, or occasionally via Technicolor matrices, in dye transfer, and in some cases that was its undoing.
If there’s a poster child, it would be Giant!, the negative of which was so inappropriately cut and conformed as to render the original elements baked full of horrific dupes. Printer functions, rather than being short cut to a couple of frames either side of function, ran full length from the A to B side of the effects – in some cases over 100 feet. Giant was originally printed direct positive Eastman, with a dye transfer (same situation as Rear Window) re-issue.
Two things come into play toward making Warner Archive’s new Blu-ray of The Pajama Game, one of the wonderful ’50s musicals, based upon the Broadway play, and in turn the novel 7 1/2 cents by Marian Bissell, and...
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