- Joined
- Feb 8, 1999
- Messages
- 18,425
- Real Name
- Robert Harris
While a fan of the interesting Bone Tomahawk, S. Craig Zahler's latest effort, Dragged Across Concrete flew beneath my radar.
This probably occurred as the distributor desired a film of more normal length, while DAC came in at 158 minutes. It played the fest circuit, and then...
I went into this one cold on a recommendation.
Starring Mel Gibson and Vince Vaughn as cops, I presumed that this might be some sort of updated cop buddy picture, a la some of Mr. Gibson's earlier work.
Nope.
Okay, so possibly a noir, high-styled thriller.
Nope.
Dragged Across Concrete is a leisurely drama, in which the good guys can be bad guys, and the bad guys are worse.
Much, much worse.
Think, one of the more nihilistic films to appear in quite a while.
It's a dark, dark film, with some some interesting performances, which could have just as easily fit in with the class of 2020 for depressing.
And yet, while it sometimes takes you places that you might not wish to visit, there's something there that makes the 158 investment almost worth-while.
Never pleasant. Never up-lifting.
It's a two and a half hour visit to that part of the city you dared not enter. At least not without a proper weapon.
Imagery is fine. The film was shot digitally and finished as a 4k DI. Never anything special. Darkness prevails. It is what it is.
Image – 5
Audio – 5 (DTS-HD MA 5.1)
Pass / Fail – Pass
RAH
This probably occurred as the distributor desired a film of more normal length, while DAC came in at 158 minutes. It played the fest circuit, and then...
I went into this one cold on a recommendation.
Starring Mel Gibson and Vince Vaughn as cops, I presumed that this might be some sort of updated cop buddy picture, a la some of Mr. Gibson's earlier work.
Nope.
Okay, so possibly a noir, high-styled thriller.
Nope.
Dragged Across Concrete is a leisurely drama, in which the good guys can be bad guys, and the bad guys are worse.
Much, much worse.
Think, one of the more nihilistic films to appear in quite a while.
It's a dark, dark film, with some some interesting performances, which could have just as easily fit in with the class of 2020 for depressing.
And yet, while it sometimes takes you places that you might not wish to visit, there's something there that makes the 158 investment almost worth-while.
Never pleasant. Never up-lifting.
It's a two and a half hour visit to that part of the city you dared not enter. At least not without a proper weapon.
Imagery is fine. The film was shot digitally and finished as a 4k DI. Never anything special. Darkness prevails. It is what it is.
Image – 5
Audio – 5 (DTS-HD MA 5.1)
Pass / Fail – Pass
RAH