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Official 2024 Oscar Nominations And Discussion Thread (1 Viewer)

Tino

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OSCAR NOMINATIONS 2024 BY CATEGORY - 96th AWARDS​

Best Picture​

AMERICAN FICTION
Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers

ANATOMY OF A FALL
Marie-Ange Luciani and David Thion, Producers

BARBIE
David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers

THE HOLDOVERS
Mark Johnson, Producer

KILLERS OF THE FLOWER MOON
Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers

MAESTRO
Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers

OPPENHEIMER
Emma Thomas, Charles Roven and Christopher Nolan, Producers

PAST LIVES
David Hinojosa, Christine Vachon and Pamela Koffler, Producers

POOR THINGS
Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers

THE ZONE OF INTEREST
James Wilson, Producer


Actor in a Leading Role​

Bradley Cooper in MAESTRO

Colman Domingo in RUSTIN

Paul Giamatti in THE HOLDOVERS

Cillian Murphy in OPPENHEIMER

Jeffrey Wright in AMERICAN FICTION


Actor in a Supporting Role​

Sterling K. Brown in AMERICAN FICTION

Robert De Niro in KILLERS OF THE FLOWER MOON

Robert Downey Jr. in OPPENHEIMER

Ryan Gosling in BARBIE

Mark Ruffalo in POOR THINGS


Actress in a Leading Role​

Annette Bening in NYAD

Lily Gladstone in KILLERS OF THE FLOWER MOON

Sandra Hüller in ANATOMY OF A FALL

Carey Mulligan in MAESTRO

Emma Stone in POOR THINGS


Actress in a Supporting Role​

Emily Blunt in OPPENHEIMER

Danielle Brooks in THE COLOR PURPLE

America Ferrera in BARBIE

Jodie Foster in NYAD

Da'Vine Joy Randolph in THE HOLDOVERS


Animated Feature Film​

THE BOY AND THE HERON
Hayao Miyazaki and Toshio Suzuki

ELEMENTAL
Peter Sohn and Denise Ream

NIMONA
Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary

ROBOT DREAMS
Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz

SPIDER-MAN: ACROSS THE SPIDER-VERSE
Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal


Cinematography​

EL CONDE
Edward Lachman

KILLERS OF THE FLOWER MOON
Rodrigo Prieto

MAESTRO
Matthew Libatique

OPPENHEIMER
Hoyte van Hoytema

POOR THINGS
Robbie Ryan


Costume Design​

BARBIE
Jacqueline Durran

KILLERS OF THE FLOWER MOON
Jacqueline West

NAPOLEON
Janty Yates and Dave Crossman

OPPENHEIMER
Ellen Mirojnick

POOR THINGS
Holly Waddington


Directing​

ANATOMY OF A FALL
Justine Triet

KILLERS OF THE FLOWER MOON
Martin Scorsese

OPPENHEIMER
Christopher Nolan

POOR THINGS
Yorgos Lanthimos

THE ZONE OF INTEREST
Jonathan Glazer


Documentary Feature Film​

BOBI WINE: THE PEOPLE'S PRESIDENT
Moses Bwayo, Christopher Sharp and John Battsek

THE ETERNAL MEMORY
Nominees to be determined

FOUR DAUGHTERS
Kaouther Ben Hania and Nadim Cheikhrouha

TO KILL A TIGER
Nisha Pahuja, Cornelia Principe and David Oppenheim

20 DAYS IN MARIUPOL
Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath


Documentary Short Film​

THE ABCS OF BOOK BANNING
Sheila Nevins and Trish Adlesic

THE BARBER OF LITTLE ROCK
John Hoffman and Christine Turner

ISLAND IN BETWEEN
S. Leo Chiang and Jean Tsien

THE LAST REPAIR SHOP
Ben Proudfoot and Kris Bowers

NǎI NAI & WàI Pó
Sean Wang and Sam Davis


Film Editing​

ANATOMY OF A FALL
Laurent Sénéchal

THE HOLDOVERS
Kevin Tent

KILLERS OF THE FLOWER MOON
Thelma Schoonmaker

OPPENHEIMER
Jennifer Lame

POOR THINGS
Yorgos Mavropsaridis


International Feature Film​

IO CAPITANO
Italy

PERFECT DAYS
Japan

SOCIETY OF THE SNOW
Spain

THE TEACHERS' LOUNGE
Germany

THE ZONE OF INTEREST
United Kingdom


Makeup and Hairstyling​

GOLDA
Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue

MAESTRO
Kazu Hiro, Kay Georgiou and Lori McCoy-Bell

OPPENHEIMER
Luisa Abel

POOR THINGS
Nadia Stacey, Mark Coulier and Josh Weston

SOCIETY OF THE SNOW
Ana López-Puigcerver, David Martí and Montse Ribé


Music (Original Score)​

AMERICAN FICTION
Laura Karpman

INDIANA JONES AND THE DIAL OF DESTINY
John Williams

KILLERS OF THE FLOWER MOON
Robbie Robertson

OPPENHEIMER
Ludwig Göransson

POOR THINGS
Jerskin Fendrix


Music (Original Song)​

"The Fire Inside" from FLAMIN' HOT
Music and Lyric by Diane Warren

"I'm Just Ken" from BARBIE
Music and Lyric by Mark Ronson and Andrew Wyatt

"It Never Went Away" from AMERICAN SYMPHONY
Music and Lyric by Jon Batiste and Dan Wilson

"Wahzhazhe (A Song For My People)" from KILLERS OF THE FLOWER MOON
Music and Lyric by Scott George

"What Was I Made For?" from BARBIE
Music and Lyric by Billie Eilish and Finneas O'Connell


Production Design​

BARBIE
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

KILLERS OF THE FLOWER MOON
Production Design: Jack Fisk; Set Decoration: Adam Willis

NAPOLEON
Production Design: Arthur Max; Set Decoration: Elli Griff

OPPENHEIMER
Production Design: Ruth De Jong; Set Decoration: Claire Kaufman

POOR THINGS
Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek


Short Film (Animated)​

LETTER TO A PIG
Tal Kantor and Amit R. Gicelter

NINETY-FIVE SENSES
Jerusha Hess and Jared Hess

OUR UNIFORM
Yegane Moghaddam

PACHYDERME
Stéphanie Clément and Marc Rius

WAR IS OVER! INSPIRED BY THE MUSIC OF JOHN & YOKO
Dave Mullins and Brad Booker


Short Film (Live Action)​

THE AFTER
Misan Harriman and Nicky Bentham

INVINCIBLE
Vincent René-Lortie and Samuel Caron

KNIGHT OF FORTUNE
Lasse Lyskjær Noer and Christian Norlyk

RED, WHITE AND BLUE
Nazrin Choudhury and Sara McFarlane

THE WONDERFUL STORY OF HENRY SUGAR
Wes Anderson and Steven Rales


Sound​

THE CREATOR
Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic

MAESTRO
Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic

MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE
Chris Munro, James H. Mather, Chris Burdon and Mark Taylor

OPPENHEIMER
Willie Burton, Richard King, Gary A. Rizzo and Kevin O'Connell

THE ZONE OF INTEREST
Tarn Willers and Johnnie Burn


Visual Effects​

THE CREATOR
Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould

GODZILLA MINUS ONE
Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima

GUARDIANS OF THE GALAXY VOL. 3
Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek

MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE
Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould

NAPOLEON
Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould


Writing (Adapted Screenplay)​

AMERICAN FICTION
Written for the screen by Cord Jefferson

BARBIE
Written by Greta Gerwig & Noah Baumbach

OPPENHEIMER
Written for the screen by Christopher Nolan

POOR THINGS
Screenplay by Tony McNamara

THE ZONE OF INTEREST
Written by Jonathan Glazer


Writing (Original Screenplay)​

ANATOMY OF A FALL
Screenplay - Justine Triet and Arthur Harari

THE HOLDOVERS
Written by David Hemingson

MAESTRO
Written by Bradley Cooper & Josh Singer

MAY DECEMBER
Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik

PAST LIVES
Written by Celine Song
 
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Tino

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I can't believe they did that. I would take out Justine Triet to put in Greta Gerwig.
I wasn’t a huge fan of Barbie. Thought it was ok. Margot Robbie’s omission is not a surprise as I thought she was miscast and just average in the role. But I am surprised at Greta’s omission.
 

Jake Lipson

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I'll move this discussion point over here from the pre-nominations thread now that this space is open.
no Anatomy of a Fall for International film? Must be a language requirement.
Anatomy of a Fall was never eligible for International Film. Each country is allowed to submit one film for consideration and France selected The Taste of Things as their entry in that category. The distributor of the film (in this case Neon) was allowed to submit it in other categories, but not for International Film because it was not France's choice. This ended up being a stupid decision on the part of the French nominating committee.
 
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Joe Wong

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I'll move this discussion point over here from the pre-nominations thread now that this space is open.

Anatomy of a Fall was never eligible for International Film. Each country is allowed to submit one film for consideration and France selected The Taste of Things as their entry in that category. The distributor of the film (in this case Neon) was allowed to submit it in other categories, but not for International Film because it was not France's choice. This ended up being a stupid decision on the part of the French nominating committee.

Thanks - I had missed that.

We have previously discussed how a film that is nom’d for Best Picture and is also nom’d in a subset category (eg. International, Animated) should be a guaranteed winner in the subset category (unless there are 2 or more films nom’d for both, but one should win the subset).

But because of how nominations work, it’s not always the case. And this is one example.
 

Jake Lipson

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I saw American Fiction less than a week ago and can't remember a single thing about its score. I would have nominated Across the Spider-Verse in that category and would not have hesitated to take American Fiction out to do that. As is, Dial of Destiny would have my imaginary vote in the Score category out of those nominees if I had one.

We have previously discussed how a film that is nom’d for Best Picture and is also nom’d in a subset category (eg. International, Animated) should be a guaranteed winner in the subset category
France almost certainly would have had a nomination and possible win for Anatomy of a Fall if they had decided to enter it. As it is, this leaves The Zone of Interest as the almost default winner of the International Film category.
 

Joe Wong

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I saw American Fiction less than a week ago and can't remember a single thing about its score. I would have nominated Across the Spider-Verse in that category and would not have hesitated to take American Fiction out to do that. As is, Dial of Destiny would have my imaginary vote in the Score category out of those nominees if I had one.


France almost certainly would have had a nomination and possible win for Anatomy of a Fall if they had decided to enter it. As it is, this leaves The Zone of Interest as the almost default winner of the International Film category.

I haven’t seen American Fiction, but I agree that Pemberton’s score for Spiderverse is fantastic and worthy of a nom.

The irony of France selecting The Taste Of Things, is that it didn’t get nom’d!

This calls into question the nominating process. I understand why the Academy asks each country to select one (and only one), but if the Oscars are meant to celebrate all films, shouldn’t they consider more international films?
 

Thomas T

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Regarding France's failure to submit Anatomy Of A Fall as their entry for best foreign or international film. It was political. Director Justine Triet has made several anti-Emmanuel Marcon statements during the year which hasn't endeared her to the French government.
 

Thomas T

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Quite surprised but absolutely over the moon over best picture, director and screenplay nominations for The Zone Of Interest. I thought it was too esoteric for the Academy.
 

Malcolm R

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So apparently Barbie is really all about Ken, with noms for supporting actor and best song.

I guess if they want to award something to Gerwig it'll have to be for screenplay as I don't see it winning Best Pic over Oppenheimer.
 

Malcolm R

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I don’t think that was ever a possibility. I’m just happy it got nominated for Best Visual effects…the First for a Tojo Godzilla film.
And again, that's for a film with a reported production budget of only $10-15 million. Up against all those other films with massive budgets (I think only The Creator is under $200 million, with a reported budget of $80 million).
 

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