John Hodson
Senior HTF Member
So, if we were guessing - just suppose - what's your guess as to what's going on here Robert?Robert Harris said:And no, IPs would not be the best bet for a transfer.
So, if we were guessing - just suppose - what's your guess as to what's going on here Robert?Robert Harris said:And no, IPs would not be the best bet for a transfer.
Someone didn't ask the right questions going in.Originally Posted by John Hodson /t/322651/hammer-film-blu-rays-in-the-u-k-getting-closer-to-the-holy-grail-dracula-1958/30#post_3999487
So, if we were guessing - just suppose - what's your guess as to what's going on here Robert?
I consider myself chastised.Robert Harris said:And that is not the way that it works.
RAH
Hi Bob. Thanks for the kind words. I've been on the forum for awhile now, I just rarely post anything. As Ollie once said "I have nothing to say." Well, usually.Bob Furmanek said:Jim: have you ever handled 35mm film?
Just kidding. I thought your name was familiar. Nice to see you here!
Please don't. Merely saying...Originally Posted by Mark Oates /t/322651/hammer-film-blu-rays-in-the-u-k-getting-closer-to-the-holy-grail-dracula-1958/30#post_3999607
I consider myself chastised.
As Mr. Furmanek knows, if and when Mr. Harwood adds his thoughts to this forum, they should be taken seriously.Originally Posted by Bob Furmanek /t/322651/hammer-film-blu-rays-in-the-u-k-getting-closer-to-the-holy-grail-dracula-1958/30#post_3999587
Jim: have you ever handled 35mm film?
Just kidding. I thought your name was familiar. Nice to see you here!
And thank you too Mr. Harris for your kind words. Two glowing comments in one day. Something tells me the rest of my weekend is just going to be crap.Robert Harris said:As Mr. Furmanek knows, if and when Mr. Harwood adds his thoughts to this forum, they should be taken seriously.
RAH
Your patience is appreciated, Mr H. From the outside, the workings of the DVD and Blu-ray world are mysterious and arcane. Insights are a treat as otherwise we're left with speculation that may be educated but ultimately ill-informed. I am at best an enthusiastic observer of the industry, peeking through a keyhole - at times a Yale one - at a larger world.Robert Harris said:Please don't. Merely saying...
Nothing personal.
Good article John - it's swung me away from re-purchasing any Hammer on BD at least for the time being.John Hodson said:This is as decent a summation as any: Hammer blu-rays: What the Devil is going on?
I am that viewer, and I must say it's an interesting debate about the colour. After the Leicester screening of the film in July, I reported that it looked washed out. And my initial viewings of the blu-ray left me with the same impression. So when I read some reviews that mentioned the strong colour, I thought 'what?', and I went back and took another look.haineshisway said:Most of the article is fine save for the part about vivid color in The Curse of Frankenstein - I wonder if the viewer is simply colorblind.
Although we don’t agree that it’s “terrible”, there is a reasonable explanation as to why the audio on the new StudioCanal UK release sounds different from that of previous releases. The current release has sound which has been restored directly from the original mono audio on an original 35mm optical element (as with many Hammer titles, the original M&E masters no longer exist). The audio was in very bad shape, but comprehensively restored. Sadly the removal of a very high level of hiss throughout meant an extensive EQ pass. This pass made the dialogue much more audible and drastically reduced the levels of hiss, but also by necessity affected the range of the audio. After the EQ pass, the ticks, crackle, pops and scratches were almost completely removed. The options for this particular release of the film were to leave the artefacts on the soundtrack (which really would have made it sound “terrible”) or restore the audio but thereby affect the range. We are 100% happy that we made the correct decision in this case and hope the restored audio does impact your appreciation of the overall presentation.