- Joined
- Jul 3, 1997
- Messages
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- Real Name
- Ronald Epstein
Amazon now selling the UHD/4K release for $22.54 so I jumped on it.There will be a $5 difference between the two as usual. $22.99 vs $27.99.
Thanks Crawdaddy. Just did the same!Amazon now selling the UHD/4K release for $22.54 so I jumped on it.
Yeah, I don't agree with that poster either. I thought it was pretty scary and had no problems with the acting.I thought it was terrific. Saw it for the second time today and it was even better. Pretty much disagree with all the points in the post above. But hey, different strokes.
I am a HUGE fan of Ridley Scott, but I am sorry to say this movie was a big letdown. The biggest problem was the script which was way too predictable. Scott broke his own rules of tension build up and not showing too much of the aliens. Not really that scary. Bad acting also does not help. Retirement time for Scott?
I sure hope this thing comes with a ton of supplements. Separate commentaries from the director and screenwriter(s) most of all.
Do you know if that's more of a matter of Charles moving on to directing his own features, or if Fox was cutting the budget on extras?
But ALL of the problems listed in the article are fixable. Don't surcharge for 3D theater admissions or Blu-rays. Projectionists need to leave the illumination alone. 3D needs to be fun again -- including at least a few really memorable pop-outs for most movies. More adult-oriented 3D films need to be made to capture an almost lost segment of the audience. More live-action 3D, converted (if well-done) and native, and fewer really stupid CGI titles (but save the good ones!). All of these and more are doable. All that keeps any of it from happening is a growing disinterest on the part of audiences who aren't being properly entertained, studios and t.v. manufacturers. We need to keep on hammering away with our HTF enthusiasm for this dwindling format.
Unfortunately, I don't see any of those issues being fixed. No way theaters are ever going to drop the surcharge (and in fairness, I don't necessarily blame them as they run on razor thin margins mostly due to the studios). They days of real professional projectionists are over. Natively shot 3D is going to remain ultra rare due to the fact that there are very few filmmakers that are even interested in shooting in 3D and it's less complicated to do a conversion as an afterthought. And so on....