Rob W
Screenwriter
- Joined
- May 23, 1999
- Messages
- 1,237
- Real Name
- Robert
Question for Bob :
We know that Hypnotic Hick went out with Wings of The Hawk in many engagements but the cartoon is 1:33 and Wings is 1:85 ( the very first composed for that ratio, as you report .)
How did they project this combo? Knowing how carefully lenses need to be aligned for 3D , I can't see projectionists switching lenses for the two ratios multiple times a day ( on two different projectors yet! ) And these were the days when showmen adjusted the masking to match the projected aspect ratio as well.
Did theatres run this open matte 1:33 in order to accommodate the cartoon ? Or, was the cartoon run matted to 1:85 to match the main attraction since it's 'just' a 6 minute cartoon and likely not given much thought ? I believe 1:33 window-boxed prints didn't come along for several more decades.
I guess the other option would be to start the program in 1:33 and then change the aperture plates & lower the masking for 1:85 when the feature began, but that would have given audiences a smaller picture for the feature attraction than the opening cartoon.
And if this was the first feature composed for 1:85, outside of the premiere locations, could most theatres run it at 1:85 anyway ?
We know that Hypnotic Hick went out with Wings of The Hawk in many engagements but the cartoon is 1:33 and Wings is 1:85 ( the very first composed for that ratio, as you report .)
How did they project this combo? Knowing how carefully lenses need to be aligned for 3D , I can't see projectionists switching lenses for the two ratios multiple times a day ( on two different projectors yet! ) And these were the days when showmen adjusted the masking to match the projected aspect ratio as well.
Did theatres run this open matte 1:33 in order to accommodate the cartoon ? Or, was the cartoon run matted to 1:85 to match the main attraction since it's 'just' a 6 minute cartoon and likely not given much thought ? I believe 1:33 window-boxed prints didn't come along for several more decades.
I guess the other option would be to start the program in 1:33 and then change the aperture plates & lower the masking for 1:85 when the feature began, but that would have given audiences a smaller picture for the feature attraction than the opening cartoon.
And if this was the first feature composed for 1:85, outside of the premiere locations, could most theatres run it at 1:85 anyway ?
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