In what ways?One cannot simply turn off HDR, and have SDR. After spending some time with this disc, my opinion is that the film was damaged by HDR.
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In what ways?One cannot simply turn off HDR, and have SDR. After spending some time with this disc, my opinion is that the film was damaged by HDR.
I understand that the PQ EOTF used in HDR is totally different than the SDR gamma curve. I also understand the potential for abusing the expanded dynamic range of the PQ EOTF on titles that never used that range. I also understand that SDR gamma is much easier to calibrate and is not subject to the tonemapping issues that plague displays when the dynamic range of HDR content exceeds the capabilities of the display. I’m not sure I understand, however, why the SDR gamma curve is inherently superior to the PQ EOTF for classic titles when the expanded dynamic range is not abused and the display is capable of displaying the full dynamic range of the content without tonemapping. I’m genuinely interested in your insights, however, and would welcome to be disabused of any false understandings.One cannot simply turn off HDR, and have SDR. After spending some time with this disc, my opinion is that the film was damaged by HDR.
Blown out highlights.In what ways?
Blown out highlights.
As RAH knows, Criterion began on December 3, 1984, with laserdisc release 001.
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“I think among the sort of cinema cognoscenti, it was an exciting moment because suddenly the sort of bastardized medium of video was showing some promise. Suddenly, people felt that, oh, there’s a life for movies and video that’s respectful of the films and has some promise going forward.”
Promise fulfilled