Jon Lidolt
Stunt Coordinator
If you really wanted to see the the original composition you'd opt for the 2.50 ratio. That's what the cameraman saw in the viewfinder: markings for image extraction when making 2.50 35mm prints. I know that 35mm anamorphic prints have a 2.35 ratio. However, these prints had very small black bars at the top and bottom of the 2.35 frame which resulted in a 2.50 ration in a standard 35mm equipped cinema. These viewfinder markings were also important so that 70mm houses which couldn't cope with the extreme Camera 65 image could crop the image slightly to fit their screens. I've worked in the business for years so I'm not just making this up. You can also check this out in the Widescreen Museum site or an old edition of the American Cinematographers Manual.Dan_Shane said:I think the answer is quite obvious: There are many of us who want to see the film as originally composed and shot. It is not the fault of Warner, MGM, Wyler, Heston, or anyone else that someday the movie was going to be viewed on infintesimally smaller screens than BH was intended to fill. To accomodate viewers with smaller TVs as you describe would require altering the image in (to me) an absolutely undesirable fashion. I own a 73" HDTV, and I for one am thrilled that I am going to be able to enjoy the full OAR in high definition.
Even when I watched previous video incarnations on significantly smaller screens I never wished the studio had trimmed the sides to offer more vertical resolution. I'm happy I was able to see BEN-HUR in a large theatre decades ago (the way it was meant to be experienced), and I am equally enthusiastic about the new Blu-ray. No nips or tucks for me, please.