Having seen RAH's restored Spartacus in 1991 at the Ziegfeld theater, NYC. I'm thrilled that the new BD transfer will be a high quality representation of that memorable experience on my 120" screen. It's been a long wait for perfection to arrive.
Sounds like maybe a "Marx Brothers Collection" and a "Monsters Collection Part II" coming next year!moovtune said:Universal posted their Q2 report today. You may be interested in some of the on-going projects.
- Completed 4k feature restoration project: Spartacus
- Mastering & Restoration
- Continued to work on the 4k restorations of: “Animal Crackers”, “Cocoanuts”, “Duck Soup”, “Horse Feathers”, “Monkey Business”, My Man Godfrey” and “Shanghai Express”. These will be completed in Q3
- Began 4k restoration work on “Ghost of Frankenstein”, “Frankenstein Meets the Wolfman”, “House of Dracula”, “House of Frankenstein”, “Son of Frankenstein” and “The King of Jazz”. These will be completed in Q4
- Began 4k restoration work on silent features: “Last Warning”, “Oh Doctor” and “Outside the Law”. These will be completed near the end of 2015
- Began film element research and scan tests for the 4k restoration of “One Eyed Jacks”, Marlon Brando’s only directorial effort. This work is being partially funded by the Film Foundation
- Completed standard (non-restoration) feature re-mastering work on “Phantom Lady”. Also began standard re-mastering work on “Something for a Lonely Man”, “Winchester ‘73”, “Desperado Outlaw Wars” and “Desperado Badlands Justice”
I wonder how Universal got involved with One-Eyed Jacks? Not that it matters, as long as it gets done right.moovtune said:Universal posted their Q2 report today. You may be interested in some of the on-going projects.
- Completed 4k feature restoration project: Spartacus
- Mastering & Restoration
- Continued to work on the 4k restorations of: “Animal Crackers”, “Cocoanuts”, “Duck Soup”, “Horse Feathers”, “Monkey Business”, My Man Godfrey” and “Shanghai Express”. These will be completed in Q3
- Began 4k restoration work on “Ghost of Frankenstein”, “Frankenstein Meets the Wolfman”, “House of Dracula”, “House of Frankenstein”, “Son of Frankenstein” and “The King of Jazz”. These will be completed in Q4
- Began 4k restoration work on silent features: “Last Warning”, “Oh Doctor” and “Outside the Law”. These will be completed near the end of 2015
- Began film element research and scan tests for the 4k restoration of “One Eyed Jacks”, Marlon Brando’s only directorial effort. This work is being partially funded by the Film Foundation
- Completed standard (non-restoration) feature re-mastering work on “Phantom Lady”. Also began standard re-mastering work on “Something for a Lonely Man”, “Winchester ‘73”, “Desperado Outlaw Wars” and “Desperado Badlands Justice”
lukejosephchung said:According to previous reports, this restoration is in fact a brand-new 4k image harvest from the original camera negatives...Universal is putting its full weight into getting this done right, apparently.
That information is monumental for me. Thanks so much to all for sharing it and the other breaking news.John Hermes said:I wonder how Universal got involved with One-Eyed Jacks? Not that it matters, as long as it gets done right.
haineshisway said:Funny to me that Spartacus and King of Kings's elements are so far apart in terms of being problematic - the films were a year apart. And on previous pages I've now read all about heavy grain on this film so let me just say "heavy grain" and Spartacus is an oxymoron. In a large format film there is only the finest of grain - that was the POINT of large format.
Not sure what you mean by enhancements. When the transfer goes to authoring they don't enhance at that stage - the transfer is complete and finished and the only thing they do at authoring (what the wags call the "encode") is author - at that stage the only bad things that can happen have to do with bit rates and disc space - that's it.FoxyMulder said:Great news, i hope when it comes to the actual disc encode part they do not include any "enhancements."
I am going by what I have read about the restoration of Spartacus by RAH regarding the Spartacus elements. It did not look like a standard job to me but rather some heavy lifting while King of Kings apparently was more of a standard job.haineshisway said:Funny to me that Spartacus and King of Kings's elements are so far apart in terms of being problematic - the films were a year apart. And on previous pages I've now read all about heavy grain on this film so let me just say "heavy grain" and Spartacus is an oxymoron. In a large format film there is only the finest of grain - that was the POINT of large format.
It would be very interesting to know the film stock used in these and other movies, too bad there is no database where we can look it up. Most western large format movies were shot on 5248, 5250 and 5251 but the succession between the three was in a 3 year timeframe which complicates things:John Hermes said:RAH has many times described how going from ECN 5248 to 5250 made a huge difference in long term stability. These two films were right at the cusp of the changeover. I think Spartacus was shot on the former. Mr. Harris has said that 1959 was probably the worst year for 5248 as well. Hopefully, with the original negative and modern tools at his disposal, this release will be a winner.