Add me to the list of being miffed by overly long films. I still haven't seen THE BATMAN or the Snyder JLA cut for that reason. As a little boy I dreamed of being able to see "good" superhero movies. Now they are the norm and I can't be arsed to keep up with them. Between the TV series , over long films, etc etc... they're feeling as impenetrable as the comic books that spawned them.
Busy day off yesterday so only three in since I feel asleep on the last one and will finish it later today
105 10/27 The Thing With Two Heads (1972) 3/5 Ever since seeing the much missed IT CAME FROM HOLLYWOOD when I was a little boy this film loomed large in my mind. It was the kind of thing where I so desperately wanted to see it for so long that I ended up avoiding it because I knew it couldn’t hold up to expectations. It didn’t. It’s a ton of fun as racist Ray Milland gets his head grafted onto Rosie Griers body, but after the grafting and the plot of Grier trying to prove his innocence it pretty much runs out of steam. Some neat ideas but too many goofy car chases and the whole thing is played pretty lightly which kills it. I liked it, didn’t love it, probably won't watch it again but glad I saw it.
106 10/27 The Torture Chamber of Dr. Sadism (1967) 2.5/5 So the second time wasn’t the charm for me on this one. Starts off with a bang before going on a long, long wander through haunted castle tropes until the last act when Lee returns to meet out some justice. Problem with this one is lead Lex Baxter is such a blank slate that he drags the whole picture down due to being boring to watch and never creating any emotional stakes. None of the set pieces create any tension and it just seems to take forever to get to the next one. Not even the “Pit & the Pendulum” gimmick really works. Christopher Lee is great in this, he’s easily the only reason to watch this. Bumping it up half a star but I can’t imagine watching it again.
107 10/27 Celia (1989) 3/5 A young girl discovers her grandmother's body and the trauma of that sets her off on an odd path in 1950s Australia. More a weird coming of age tale than a traditional horror film, it almost feels like the young years of a future serial killer in some regards. It tackles a lot, particularly the Red Scare aspect of the era and how that shakes out through the eyes of children. Even in the more fantastical elements this one plays it a little too straight. As a result, as interesting and well done as it is, it never really feels all that engaging.
Busy day off yesterday so only three in since I feel asleep on the last one and will finish it later today
105 10/27 The Thing With Two Heads (1972) 3/5 Ever since seeing the much missed IT CAME FROM HOLLYWOOD when I was a little boy this film loomed large in my mind. It was the kind of thing where I so desperately wanted to see it for so long that I ended up avoiding it because I knew it couldn’t hold up to expectations. It didn’t. It’s a ton of fun as racist Ray Milland gets his head grafted onto Rosie Griers body, but after the grafting and the plot of Grier trying to prove his innocence it pretty much runs out of steam. Some neat ideas but too many goofy car chases and the whole thing is played pretty lightly which kills it. I liked it, didn’t love it, probably won't watch it again but glad I saw it.
106 10/27 The Torture Chamber of Dr. Sadism (1967) 2.5/5 So the second time wasn’t the charm for me on this one. Starts off with a bang before going on a long, long wander through haunted castle tropes until the last act when Lee returns to meet out some justice. Problem with this one is lead Lex Baxter is such a blank slate that he drags the whole picture down due to being boring to watch and never creating any emotional stakes. None of the set pieces create any tension and it just seems to take forever to get to the next one. Not even the “Pit & the Pendulum” gimmick really works. Christopher Lee is great in this, he’s easily the only reason to watch this. Bumping it up half a star but I can’t imagine watching it again.
107 10/27 Celia (1989) 3/5 A young girl discovers her grandmother's body and the trauma of that sets her off on an odd path in 1950s Australia. More a weird coming of age tale than a traditional horror film, it almost feels like the young years of a future serial killer in some regards. It tackles a lot, particularly the Red Scare aspect of the era and how that shakes out through the eyes of children. Even in the more fantastical elements this one plays it a little too straight. As a result, as interesting and well done as it is, it never really feels all that engaging.
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