Adam_S
Senior HTF Member
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- Adam_S
21 Grams
:star::star::star::star: out of four (classic)
21 Grams sucker punched me and took me on an incredible journey—this didn’t feel like storytelling, it felt like a vividly remembered past, moments mish mashed together as we silently observe and try to understand how a single event can change so many lives.
There is a moment in Benicio del Toro’s first scene when we look into his face, stare into his eyes as he earnestly tries to convey why and what he believes to a someone that doesn’t want to hear it. Looking into those eyes, I was disappointed, I myself could not accept what Jack was saying, there was no belief behind the eyes, he felt like someone striving to recite what he’s been taught—just so—but not really understanding. Not really feeling the resonance of that belief hum through every fiber of his being as an unshakable foundation that proves for himself that ‘this’ is true. None of that is in Jack’s eyes, and I think del Toro is capable of conveying it. I was immediately turned off, thinking this was going to be a movie that went for the cheap portrayal of Christianity as hypocritical, empty, and just a little bit sleazy. But no, that’s not at all what the movie goes for, and it’s not concerned with expressing opinions about faith. It is concerned with understanding the humanity in all the characters. And it wasn’t until the film’s end that I came to realize how good del Toro’s acting in that first scene was. Del Toro is acting out a character who is acting like he believes but doesn’t, deep acting that is difficult to pull off. The changes Jack undergoes throughout the film are just as breathtaking as the other stunning performances in the film.
Paul (Sean Penn) is lost. He’s a swimmer that has long since given up trying to make it back to shore. He’s not even content to be towed back in by someone attempting to save his life, but feebly attempts to break free and drift his remaining moments in blissful agony. Resentment, anger, desperation and the unending question of ‘why’ echo through his character.
Naomi Watts has her life back under control. The enduring strength of her husband and the joy she has discovered in two daughters have her out of a much less ideal life and into something she can hardly believe is real. Inevitability. Her character seems to rage against what she already can’t believe. Is it a dream? a dream too precious to ever wake from, not when there is so much that is garish and course to pound reality in through her pores. So she reaches for an old friend (or a cruel trickster) who lets her dream easier and more often.
They are sinking with the weight of 21 grams, too much to carry.
I can’t really express what it is about this movie that lets it work so well. Because it’s the little moments, like Marianne Jordan washing Jack’s car that really drive home everything that makes this film work. And it’s moments like that which would not work if this film presented itself in a linear normal manner. But because these ordinary lives come to us in such an unusual manner we can see the agony and ecstasy of 21 grams of significance of every single life. Faith, life, death, love, family, lovers: what does 21 grams mean to you?
Adam
:star::star::star::star: out of four (classic)
21 Grams sucker punched me and took me on an incredible journey—this didn’t feel like storytelling, it felt like a vividly remembered past, moments mish mashed together as we silently observe and try to understand how a single event can change so many lives.
There is a moment in Benicio del Toro’s first scene when we look into his face, stare into his eyes as he earnestly tries to convey why and what he believes to a someone that doesn’t want to hear it. Looking into those eyes, I was disappointed, I myself could not accept what Jack was saying, there was no belief behind the eyes, he felt like someone striving to recite what he’s been taught—just so—but not really understanding. Not really feeling the resonance of that belief hum through every fiber of his being as an unshakable foundation that proves for himself that ‘this’ is true. None of that is in Jack’s eyes, and I think del Toro is capable of conveying it. I was immediately turned off, thinking this was going to be a movie that went for the cheap portrayal of Christianity as hypocritical, empty, and just a little bit sleazy. But no, that’s not at all what the movie goes for, and it’s not concerned with expressing opinions about faith. It is concerned with understanding the humanity in all the characters. And it wasn’t until the film’s end that I came to realize how good del Toro’s acting in that first scene was. Del Toro is acting out a character who is acting like he believes but doesn’t, deep acting that is difficult to pull off. The changes Jack undergoes throughout the film are just as breathtaking as the other stunning performances in the film.
Paul (Sean Penn) is lost. He’s a swimmer that has long since given up trying to make it back to shore. He’s not even content to be towed back in by someone attempting to save his life, but feebly attempts to break free and drift his remaining moments in blissful agony. Resentment, anger, desperation and the unending question of ‘why’ echo through his character.
Naomi Watts has her life back under control. The enduring strength of her husband and the joy she has discovered in two daughters have her out of a much less ideal life and into something she can hardly believe is real. Inevitability. Her character seems to rage against what she already can’t believe. Is it a dream? a dream too precious to ever wake from, not when there is so much that is garish and course to pound reality in through her pores. So she reaches for an old friend (or a cruel trickster) who lets her dream easier and more often.
They are sinking with the weight of 21 grams, too much to carry.
I can’t really express what it is about this movie that lets it work so well. Because it’s the little moments, like Marianne Jordan washing Jack’s car that really drive home everything that makes this film work. And it’s moments like that which would not work if this film presented itself in a linear normal manner. But because these ordinary lives come to us in such an unusual manner we can see the agony and ecstasy of 21 grams of significance of every single life. Faith, life, death, love, family, lovers: what does 21 grams mean to you?
Adam