Jon Robertson
Screenwriter
- Joined
- May 19, 2001
- Messages
- 1,568
Damn, Blue Underground rocks. So far I have nine discs from them (Shock Waves, The Prowler, Grand Slam, Revolver, Contamination and The Spaghetti Western Collection) and they're all absolutely top notch.
Apart from introducing me to some of the most entertaining and sorely neglected B- and C-flicks from yesteryear, the quality on each one is genuinely as good as I could expect, and in several cases far exceeded my expectations.
Their Spaghetti Western Collection is as fine a boxset as you'll ever see - each film totally uncut, with both Italian and English language options, and newly translated subtitles. There are some choice extras on each - nothing that will challenge, say, Criterion's Brazil, but still work superbly to prime the viewer on the films and their contexts. The films themselves are a class act; each terrific in its own way, and all of them refreshingly different from one another.
Even movies that are total crap by any standards like Contamination become delightfully entertaining romps, and there are certainly some gems in the rough amongst them, such as Shock Waves and Grand Slam that should thoroughly entertain anyone in search of some chills and thrills.
It's also the attention to detail that make Blue Underground's discs so rewarding to fans, like the inclusion of the original mono soundtrack alongside stereo, DD-EX 5.1 and DTS-ES 6.1 remixes on Contamination, and the unusually thorough and interesting poster and stills galleries that can be found on board all discs.
If I had any bones to pick (and we're talking toe bones here), the covers sometimes do not at all represent the films inside, making them look overly seedy and gratuitous on occasion. While I can appreciate their attempts to resuscitate classic exploitation posters on the front covers, Run Man Run and Revolver are totally different animals to their overly sadistic and aggressive covers (the notoriously stringent British certification board gave them '12' and '15' uncut certificates respectively). I'm afraid this is only going to ultimately disappoint hardened gore veterans and turn off potential customers.
Still, Blue Underground is one of my favourite companies out there, and I can't wait for upcoming discs of Daughters of Darkness, Venom, Dead and Buried and The Crazies. Roll on 2003...
Apart from introducing me to some of the most entertaining and sorely neglected B- and C-flicks from yesteryear, the quality on each one is genuinely as good as I could expect, and in several cases far exceeded my expectations.
Their Spaghetti Western Collection is as fine a boxset as you'll ever see - each film totally uncut, with both Italian and English language options, and newly translated subtitles. There are some choice extras on each - nothing that will challenge, say, Criterion's Brazil, but still work superbly to prime the viewer on the films and their contexts. The films themselves are a class act; each terrific in its own way, and all of them refreshingly different from one another.
Even movies that are total crap by any standards like Contamination become delightfully entertaining romps, and there are certainly some gems in the rough amongst them, such as Shock Waves and Grand Slam that should thoroughly entertain anyone in search of some chills and thrills.
It's also the attention to detail that make Blue Underground's discs so rewarding to fans, like the inclusion of the original mono soundtrack alongside stereo, DD-EX 5.1 and DTS-ES 6.1 remixes on Contamination, and the unusually thorough and interesting poster and stills galleries that can be found on board all discs.
If I had any bones to pick (and we're talking toe bones here), the covers sometimes do not at all represent the films inside, making them look overly seedy and gratuitous on occasion. While I can appreciate their attempts to resuscitate classic exploitation posters on the front covers, Run Man Run and Revolver are totally different animals to their overly sadistic and aggressive covers (the notoriously stringent British certification board gave them '12' and '15' uncut certificates respectively). I'm afraid this is only going to ultimately disappoint hardened gore veterans and turn off potential customers.
Still, Blue Underground is one of my favourite companies out there, and I can't wait for upcoming discs of Daughters of Darkness, Venom, Dead and Buried and The Crazies. Roll on 2003...