Thanks for the clarification, Crawdaddy. I read Cees's post in the CE3K thread right after I made my original post. Thanks for taking the time to clarify it.
And Brett, that is pretty interesting. Thanks for that link.
There's an interesting article up today on Slate by Tom Shone that talks about the relationship between Spielberg and Lucas. I'll excerpt a little bit here and leave the link on the bottom. http://slate.msn.com/id/2120697/
The fact that he completely screws up the release date for the THX-1138 "feature" and then builds a whole segment around it doesn't bode well for the veracity of the remaining article.
Calling it a "feature" in its 1967 form is a bit overblown, but I don't think that's anywhere near a sound basis for dismissing the entire article. I think it's an insightful read, and comes to a good conclusion.
Adam wrote: An interesting turn of phrase, but I think it's actually Spielberg and Hitchcock who take more care not to "show the wires" – that is, they work to make the mechanics of the storytelling more or less invisible to the viewer, so one is less conscious of the fact that they are watching a film.
Particularly in his later films, Kubrick willfully foregrounded his narrative experimentation – showed the wires, so to speak - which makes many of the films appealing only to those who are willing to join him in the fun of the experiment (I usually am).
I should mention that I agree with your basic statement that their work is no less artful than Kubrick's. And I apologize if I'm interpreting your metaphor in a different way than you intended.