- Joined
- Feb 8, 1999
- Messages
- 18,428
- Real Name
- Robert Harris
No need to go into the history of Marty, the Best Picture of 1955, and its slew of wonderful performances, led by Mr. Borgnine.
Kudos to Kino for presenting it in two aspect ratios, based upon the same final data files - 1.37 and 1.85.
I was wondering if this might have been Joseph LaShelle's first widescreen assignment, but checked and it was not.
He came up out of the ranks at the end of the silent era (1926). He shot the original Holiday (1930), and as far as widescreen, was behind the camera in 1953 for one of the earliest CinemaScope productions - River of No Return, shot in 1953.
What this tells us is that he knew his way around aspect ratios.
Having sampled, I prefer the 1.85.
As to the new image harvest and final Blu-ray, grain comes to the fore - it's very sharp and highly resolved, with beautiful imagery. I am, however, finding the timing a bit on the heavy side, as we seem to be losing shadow detail.
Strangely, I found the same situation for Criterion's new Summertime, and did a recheck of projector settings. I don't believe it's my gear
That noted, I've never seen an original 35 print of Marty, so my point is without reference, and only what my eyes are telling me.
Image – 4.5
Audio – 5 (DTS-HD MA 2.0)
Pass / Fail – Pass
Plays nicely with projectors - Yes
Upgrade from earlier Blu-ray - Only if prefer 1.85
Highly Recommended
RAH
Kudos to Kino for presenting it in two aspect ratios, based upon the same final data files - 1.37 and 1.85.
I was wondering if this might have been Joseph LaShelle's first widescreen assignment, but checked and it was not.
He came up out of the ranks at the end of the silent era (1926). He shot the original Holiday (1930), and as far as widescreen, was behind the camera in 1953 for one of the earliest CinemaScope productions - River of No Return, shot in 1953.
What this tells us is that he knew his way around aspect ratios.
Having sampled, I prefer the 1.85.
As to the new image harvest and final Blu-ray, grain comes to the fore - it's very sharp and highly resolved, with beautiful imagery. I am, however, finding the timing a bit on the heavy side, as we seem to be losing shadow detail.
Strangely, I found the same situation for Criterion's new Summertime, and did a recheck of projector settings. I don't believe it's my gear
That noted, I've never seen an original 35 print of Marty, so my point is without reference, and only what my eyes are telling me.
Image – 4.5
Audio – 5 (DTS-HD MA 2.0)
Pass / Fail – Pass
Plays nicely with projectors - Yes
Upgrade from earlier Blu-ray - Only if prefer 1.85
Highly Recommended
RAH