- Joined
- Feb 8, 1999
- Messages
- 18,424
- Real Name
- Robert Harris
Hal Ashby's wonderful The Last Detail is a film that just works. While many will point to the performances by Jack Nicholson, Otis Young and Randy Quaid, with a delightful turn by Carol Kane, I'd probably point more toward the screenplay by Robert Towne, without whom...
The gritty cinematography comes courtesy of Michael Chapman. The film is his first Director of Photography credit.
Keep in mind that Mr. Chapman was camera operator for Gordon Willis on The Godfather, and that noted, we'll quell discussions of improper handling of the elements by Columbia, as I'm certain some will point to the lack of shadow detail in the blacks, and cry "foul!"
Gritty describes the look, and the negative is thin. There's nothing in the shadows. The look works for the film, and when viewed as a Blu-ray, especially up-rezzed to 4k, the images are bold and assertive.
As a master prepared by Columbia, there's no story here, with the boring exception of perfection.
A wonderfully clean image, with great color and original grain structure.
For those who may not be aware, director Ashby began in the film arena in the editorial department (The Loved One, Russians are Coming, In the Heat of the Night), directing his first film in 1970 (The Landlord). He's best known for Coming Home, Being There, Harold and Maude, and coincidentally, another film being released this month by Twilight Time, Bound for Glory, which unfortunately, does not come from Columbia.
Image - 5
Audio - 5
4k Up-rez - 5
Pass / Fail - Pass
Highly Recommended
RAH
The gritty cinematography comes courtesy of Michael Chapman. The film is his first Director of Photography credit.
Keep in mind that Mr. Chapman was camera operator for Gordon Willis on The Godfather, and that noted, we'll quell discussions of improper handling of the elements by Columbia, as I'm certain some will point to the lack of shadow detail in the blacks, and cry "foul!"
Gritty describes the look, and the negative is thin. There's nothing in the shadows. The look works for the film, and when viewed as a Blu-ray, especially up-rezzed to 4k, the images are bold and assertive.
As a master prepared by Columbia, there's no story here, with the boring exception of perfection.
A wonderfully clean image, with great color and original grain structure.
For those who may not be aware, director Ashby began in the film arena in the editorial department (The Loved One, Russians are Coming, In the Heat of the Night), directing his first film in 1970 (The Landlord). He's best known for Coming Home, Being There, Harold and Maude, and coincidentally, another film being released this month by Twilight Time, Bound for Glory, which unfortunately, does not come from Columbia.
Image - 5
Audio - 5
4k Up-rez - 5
Pass / Fail - Pass
Highly Recommended
RAH