Michael Osadciw
Screenwriter
- Joined
- Jun 24, 2003
- Messages
- 1,460
- Real Name
- Michael Osadciw
All of this discussion has made me order. I have a L&H set on DVD from the mid-2000s. I'm really intrigued now to see the effort gone into this release.
Based on everything I've read about the above set, "The Definitive Restorations" will leave that one in the dust! I'm sure looking forward to getting my Blu-ray set, which I've just been informed has shipped!I've got the other blu-ray release of The Very Best of L&H. It will be interesting to compare the two transfers side by side.
Robert Harris,Mark Louis,
I return all due respect, and admiration for everyone involved in this huge project...
While I'm aware of the wonderful ongoing work performed by UCLA Film & Television Archive on these subjects, I've heard nothing about restoration work at the LoC. Perhaps I've just missed it, but would be interested to know what they've done. I'm aware that the disc packaging gives them credit.
As to The Music Box, a personal favorite of mine, I find the audio startlingly clear and almost otherworldly - like nothing I've ever hear before on this subject. Almost a reason in itself to add this set to one's library. It sounds as if one is virtually on-set.
I'm aware the the original camera negative survives on the film, but don't know whether it was that element scanned, or a fine grain. I'm presuming a fine grain, as I can see occasional positive dirt.
Other than that, the image is immaculate. Very nice densities, lovely shadow detail.
But as I've noted, to my eye, it appears overly processed, and superbly clean, not taking on a plastic-like appearance, but heading in that direction. Overall resolution is quite soft, and grain is virtually non-existent.
Again, I have no desire to damage this release, and am recommending that fans purchase it, but I must report what I'm seeing, which is nowhere close to what a quality modern image harvest would realize from either an OCN or a fine grain of this era, along with the requisite original grain.
It simply isn't there.
It‘s called “A few words about...™“ for a reason. Succinct, cryptic reviews is the concept.Robert Harris,
Did you even read your review and understand how it would be perceived? By any reasonable measure, it is a SCATHING REVIEW WITHOUT MERIT. Readers of a DVD review want to understand what is different about this release vs previous DVDs. We shouldn’t have to pull these details out of you. The main message of your review was negative and don’t bother watching it. Now that you’re getting pushback, you’re retreating. The public doesn’t need or want purely subjective “off the cuff” reviews without a serious detailed understanding of the subject material compared to previous. Another important point is the difference in DCP vs Blu-Ray vs DVD video definitions. Your audience is extremely sophisticated as are Laurel & Hardy as artists. So, your flippant perfunctory review of a significant new event in the world of Stan & Ollie shows a disdain for them and their audience.
It seems to me people have gotten very short tempered lately as the lockdown has everyone tense and frustrated. The hostility shown to Mr. Harris here from some posters is quite uncalled for, especially coming from people who have not seen this set yet. Healthy debate is one thing, but things are going off in a direction unbecoming of our members.
Frankly, I'm surprised this thread has exploded as quickly as it has; it's great to know there are still so many L & H fans out there. This will be the release of the year for me no matter what.
That thought had occurred to me as well.Are those involved with the project viewing the final blu-rays, or some sort of internal masters or digital files from those masters that may not reflect what's actually on the discs?
Happy Birthday, Dan!We dont have a lockdown where i am and have been working business as usual 50-60 hour weeks since day one of all this. The county i live in hasnt had a case of this for over six weeks. The last case was a death of a person who fell down a flight of stairs at an old folks home and marked it as covid 19 until a person at my work demanded that the death certificate be changed to blunt force trama. I would say this happens more than people know.
As for short tempered i have always been like this from the day i was born 53 years ago to the day. I guess thats why i work all night shift for the last 15 years.
Robert Harris,
Did you even read your review and understand how it would be perceived? By any reasonable measure, it is a SCATHING REVIEW WITHOUT MERIT. Readers of a DVD review want to understand what is different about this release vs previous DVDs. We shouldn’t have to pull these details out of you. The main message of your review was negative and don’t bother watching it. Now that you’re getting pushback, you’re retreating. The public doesn’t need or want purely subjective “off the cuff” reviews without a serious detailed understanding of the subject material compared to previous. Another important point is the difference in DCP vs Blu-Ray vs DVD video definitions. Your audience is extremely sophisticated as are Laurel & Hardy as artists. So, your flippant perfunctory review of a significant new event in the world of Stan & Ollie shows a disdain for them and their audience.
Let's wait for stills and clips. When Mr. Harris says it does not look as it should I believe him. He knows a thing or two about how film looks when faithfully transferred to digital. I'm not ordering for now and I never intended to as I always wait for feedback and real data to make my decisions. So much can go wrong at any stage, intentionally (e.g. with good but misguided intentions) or unintentionally.
And this is why I read, and trust, Robert's opinions. He talks about image and audio quality with insights I might never consider. He's worked with film and knows how it is supposed to look. I never have. I don't read his "A Few Words About" for reviews of the performances, direction, etc. I can get that elsewhere from people who only cursorily mention overall A/V quality which is often from an end user perspective - not a professional one.No disdain for L & H. The review really didn’t concern them, or their work.
It specifically regards the Image quality of the films in the set, of which I’ve probably sampled 75%.
My reviews measure the image quality, based upon extant film elements available for image harvest, and how those (presumably .dpx) files make their way through digital clean-up, color, compression, and authoring to a Blu-ray disc.
Some publishers, such as Criterion, include a booklet, which gives viewers specific details as to what film elements were used as the basis of the release, as well as how they were scanned and processed. With the serious nature of this release, as well as the claims made as to the perfection of its contents, I presumed that such information would be included in the packaging, and actually rechecked my copy for such a booklet. Perhaps one was produced, and I received an early production copy for review.
With the publicity surrounding this release, mentions of pristine, original nitrate elements, 2 and 4k scans, I was prepared to be as blown away by the image content, as I was by the audio on The Music Box. I was pleased that air was left at the top end of the various old original tracks, and they work for me.
It is possible, that something occurred in final compression. Using TMB as an example of something that could and should have been able to replicate the fully organic nature of film, I was unable to find it. It may be in the master, which I’ve not seen. Overall, the film, as presented on disc, did not appear like film, but rather something derived from an extremely high quality element, that was processed and turned into a more video compliant image.
The Roach productions, in a general sense, were low-budget affairs, with technical attributes that tended toward the basic. It was almost a miracle, that L & H were able to work within the system provided to them and create the magic that they did.
But in the end, film is film, which today, can finally be beautifully mimicked digitally, and attain a fully organic appearance. Film doesn’t lie.
For whatever reason, that’s simply not what I’m seeing, and I have no answer as to why, as I don‘t know the specifics as to how these discs came to be.
If the answer cannot be found in compression, possibly it’s within the digital clean-up and processing software. I’d love to know what program(s) were used, and by what post-production entity.
To be clear, my words have zero to do with Mr. Laurel, Mr. Hardy, or their work. It’s all about Kodak products, how they have been exposed, processed, replicated, handled, preserved and brought into the digital world. It ain’t personal.
And this is why I read, and trust, Robert's opinions. He talks about image and audio quality with insights I might never consider. He's worked with film and knows how it is supposed to look. I never have. I don't read his "A Few Words About" for reviews of the performances, direction, etc. I can get that elsewhere from people who only cursorily mention overall A/V quality which is often from an end user perspective - not a professional one.
Like many "boomers" I grew up watching Lauren & Hardy on TV on a very regular basis. I love them and always have. I have this pre-ordered solely based on the few pre-release images and video comparisons put out so far. In spite of owning copies of their material on several DVD releases, including "The Essential Collection," I have no plans to cancel that order.