Escapay
Stunt Coordinator
Series 3 just began this past Sunday, and is scheduled to conclude November 4, hence why the UK's Blu-Ray is coming out November 5.Mark Collins said:I did not know that it aired in the UK already I mean season 3.
Series 3 just began this past Sunday, and is scheduled to conclude November 4, hence why the UK's Blu-Ray is coming out November 5.Mark Collins said:I did not know that it aired in the UK already I mean season 3.
S1 and S2 were originally listed as Region B pretty much like all UK releases though I forget when they officially changed the coding. Once it's out and Amazon gets enough reports about a disc being region free or the manufacturer officially changes their sheet then Amazon UK sometimes will list a disc REgion Free. It's virtually never easy with them on the region issue.GlennH said:Steve means he's getting the UK version, which will be region-free (presumably, as S1 and S2 were). A strategy I may also adopt, rather than waiting for the U.S. broadcasts/BD release.
EDIT: Well, maybe S3 won't be Region-Free. The Amazon.uk listing shows it being Region B locked. Could be wrong of course, but definitely different than their S1 and S2 listings. Maybe they decided they don't want us Yanks to get it early.
Josh,Josh Steinberg said:I just noticed this thread and may be able to contribute a little bit to solving the mystery.
I worked at PBS in the home video department from 2006-2009; I left shortly before the first Downton Abbey became a big hit. While I didn't work specifically on this release, I have worked on previous PBS Masterpiece Theatre releases, and generally the pipeline was the same from release to release. I can tell you that the most likely culprit in all of this has to do with what elements PBS had access to.
The graphic on the packaging that says "Original UK Version" refers to content and not the actual disc, of course. PBS generally tweaks the original broadcast versions - in the UK they're far less sensitive to a bit of salty language or occasional nudity flash than they are here, so generally that stuff is cut out out or obscured in some way. Sometimes the programs are also edited for length, though I can't recall that happening very often. But the real problem was always this: the deliverables received by PBS from the BBC or whatever production partner worked on a particular show. For every UK-sourced project that I worked on, it was impossible to get anywhere near the original master. Most of the overseas material was shot and/or edited at 25fps. What PBS received would typically be either a DigiBeta (back in the SD days) or an HDCam tape of the program, which had been converted to NTSC/30 frames on their end, not ours. We were at least able to get a clone of the master that PBS received before edit, and generally chose to release that as the video version.
But garbage in, garbage out - all of the encoding and recoding and changes in frame rates at various stages in editing and mastering results in an end product that is not as high quality as one would expect from a Blu-ray. The same issues affected our digital downloads - the files we would submit to vendors like iTunes would frequently be rejected because of the frame rate issues from the different conversions and edits. If a show was shot 25fps, they wanted a 25fps master to make their digital file from - and we literally had no access to such a master to provide them. Different post processes were experimented with, we got some waivers from the vendors about quality because they eventually understood they could have it "as is" or not at all.
I can't say with 100% certainty that that's what's going on here, as I didn't work on this release. But it fits the pattern and standard procedures from my time there, and I wouldn't be shocked to learn I was right. Unfortunately (and I say this without wanting to badmouth anyone), some of the people at PBS who have the most control over decisions that affect contracts and arrangements from everything to what should be asked for from the BBC to making the final product, are made at least in part by people who have a limited understanding of things like frame rates, resolutions, interlaced vs. progressive, etc. I was never in a position there where I had the influence that would have been needed to correct these issues, although I was fully aware of them and expressed concern. But it is what it is.
In other words, there is nothing wrong with your TV
That's unexpectedly fantastic that they did that!Robert Harris said:Josh,
Thank you for your notes.
Once the problem arose, strangely, far more obvious on S two than one, my discussions with the folks at PBS, they listened, and reworked S 2, which now (in the boxed set) appears to be the same as the UK import.
Whatever they did, they fixed the problem, the quality is now superb. I can't ask more than that of a publisher.
RAH
I just read this thread after I bought my wife the season 1 & 2 box set, am I reading this right that in this set the issues were fixed?Robert Harris said:Josh,
Thank you for your notes.
Once the problem arose, strangely, far more obvious on S two than one, my discussions with the folks at PBS, they listened, and reworked S 2, which now (in the boxed set) appears to be the same as the UK import.
Whatever they did, they fixed the problem, the quality is now superb. I can't ask more than that of a publisher.
RAH
They did last year. I don't see why they wouldn't do the same this year.Originally Posted by Steve Tannehill
Will PBS be showing the Christmas special?
I also ordered that from Amazon.co.uk.
Mark and others who may have already seen it - please be careful when discussing the end of Season 3, as the broadcast of the season has just begun in the US. I accidentally read about "the shock" at the end in an unmarked spoiler on another forum, and it's already coloring the way I'm experiencing the series. Thanks!Mark Collins said:PBS most popular series of all time Downton Abbey so the radio states. The end was the shock. I never saw that coming.