The Drifter
Screenwriter
- Joined
- Jan 29, 2019
- Messages
- 1,159
- Real Name
- Jim
Other than The Equalizer, I've only seen Woodward in two other roles: The iconic horror film The Wicker Man (1973), and the excellent Boer War-era drama Breaker Morant (1980). And, I think it helped that The Equalizer was the first role I saw him in, so I didn't have any pre-conceived ideas about him as actor. I still attest that TE is his best role/character, hands-down. Some more S02 episode reviews:
The Cup: Extremely well-done episode, and one of my many favorites. I liked how it delved into Mickey Kostmeyer's past, re: introducing his priest brother. The brief conversation that the brother had with McCall and Mickey really illustrated how they had completely different views on forgiveness (and life in general) while growing up, and obviously into adult-hood as well. I.e. the brother became a priest, and Mickey essentially became a de-facto mercenary (while still working for "The Company").
High Performance: This story revolved around a young female construction worker
Heartstrings: A mother's newborn baby is kidnapped from the hospital, and she turns to McCall for help in tracking down the child. I wonder if the storyline was at least partly based on the then-recent kidnapping of baby Marlene Santana - which happened right outside a NYC hospital in 1985. This got a lot of press at the time, and was a segment in the old Unsolved Mysteries TV series:
https://unsolvedmysteries.fandom.com...arlene_Santana
Hand and Glove: One of the final S02 episodes. Scott McCall (William Zabka) is concerned because one of his friends (that he studied with in Europe) is worried because she feels someone is trying to assault/kill while she's asleep.
The Cup: Extremely well-done episode, and one of my many favorites. I liked how it delved into Mickey Kostmeyer's past, re: introducing his priest brother. The brief conversation that the brother had with McCall and Mickey really illustrated how they had completely different views on forgiveness (and life in general) while growing up, and obviously into adult-hood as well. I.e. the brother became a priest, and Mickey essentially became a de-facto mercenary (while still working for "The Company").
The terrorist/espionage angle here was extremely well-done, and also somewhat complex. One of the most disturbing scenes in this episode was towards the end, when the priest was going to obviously sacrifice himself to save everyone from the device in the bag - before being saved by McCall (who threw the bag out of the window right as it exploded).
High Performance: This story revolved around a young female construction worker
who witnesses a murder through the window of a nearby high-rise - as she is working. She is then targeted due to her witnessing the crime, and turns to McCall for help. Extremely gripping episode.
Heartstrings: A mother's newborn baby is kidnapped from the hospital, and she turns to McCall for help in tracking down the child. I wonder if the storyline was at least partly based on the then-recent kidnapping of baby Marlene Santana - which happened right outside a NYC hospital in 1985. This got a lot of press at the time, and was a segment in the old Unsolved Mysteries TV series:
https://unsolvedmysteries.fandom.com...arlene_Santana
Hand and Glove: One of the final S02 episodes. Scott McCall (William Zabka) is concerned because one of his friends (that he studied with in Europe) is worried because she feels someone is trying to assault/kill while she's asleep.
She is very wealthy, and an invalid. Due to Scott's insistence, The Equalizer gets involved and uncovers a plot to make the young woman appear insane, so that someone else in the family will inherit all of her extensive wealth.
Excellent episode, and elements of this reminded me strongly of a horror film. This is also one of those unique episodes where McCall gets involved in helping someone without being specifically called on the phone (due to the ad in the paper).
Excellent episode, and elements of this reminded me strongly of a horror film. This is also one of those unique episodes where McCall gets involved in helping someone without being specifically called on the phone (due to the ad in the paper).
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