Kaskade1309
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Yes, noted.Re: the 5.1 track on the DVD, notice it says "Remastered in 5.1", not remixed.
Could very well be. Warner had a habit, as I said, of slapping that "Soundtrack Remastered in Dolby Digital 5.1" moniker on almost all their discs that contained films from certain time periods (usually as presented in their snapper case packaging) -- some of the titles I still own which boast this presentation include Out for Justice and Enter the Dragon 25th Anniversary Special Edition (the Exorcist: The Version You've Never Seen snapper DVD I had at one point also included a "Soundtrack Remastered in Dolby Digital Surround EX" notice on the back, being that this "director's cut" was given an audio overhaul for its theatrical re-release run; indeed, IMO, this was one of the most effective re-imaginings of a soundtrack ever done, opening up the back channels to encompass crowd sounds, demon growls and directional action cues...so much so that the first U.S. Blu-ray of the title in digibook form, which I own, utilized this platform for the DTS-HD Master Audio 6.1 track on that "Unrated Director's Cut" disc).Since that 5.1 track seems to have the same active channel separation as the actual original matrix-surround 2.0 track as heard on the old Laserdisc and Arrow Blu-ray release, this is why I suspect it's not an actual remix, but a repurposing of the Dolby Stereo stems. While the final Dolby Stereo delivery format is 2-channel that's then meant to be decoded to left-center-right-surround, the mixing stems are actually 4-channel discreet. I suspect that "5.1 remastering" for the DVD simply involved splitting the mono surround into 2-channels and redirecting bass to the .1 subwoofer channel. However they arrived at it, it sounds like it matches the characteristics of the original theatrical mix.
But I digress.
Indeed.And yes, the Arrow Blu-ray is region locked, so you'd have to have a region free player to view it.
Exactly right -- and, yes, it does sound better to me because I get to experience at least some of the directionality lost in the 5.1 variant (I cited the example of the waitress sequence). I realize I can switch the player's output to internally decode the 2.0 Master Audio track instead of bitstreaming it (thus changing it to a PCM stream and being able to use the matrixing hardware in my AVR), but it's just not worth it to me; I'd rather live with the limitations of my system and eventually upgrade the receiver (which I am going to do at some point because certain aspects of my Onkyo are starting to fail, including the HDMI OUT port, which I use only to see the receiver's menus on my 4K screen from time to time).Re: the 2-channel mix on the Shout Factory Blu-ray- by all accounts, it's NOT the original, very active mix as offered on the Arrow release, but a fold-down of the anemic remix. I suspect it sounds "better" to you on playback precisely because you're simply playing it in 2-channel due to your particular limitations re: decoding 2-channel DTS to surround. If you change your player's output to PCM and then engage the surround decoding on your system, the sound will collapse back into mostly the center channel and sound very similar to the terrible 5.1 remix.
Okay, so we're talking about the MONO tracks on these; as I mentioned, my ears told me there were no differences between the "Digitally Enhanced 5.1 Surround" mix on the last U.S. Special Edition DVD of The Fog and Scream's Blu-ray (including the steelbook I own) with a DTS-HD MA 5.1 track.I don't have their UHDs of THE FOG and THE HOWLING so can't comment on the quality of the multichannel mixes on those, but I know they went to great lengths in both of those cases to offer the original mono theatrical mixes from the best sources available, and by all accounts they both mono tracks sound really good.
I didn't notice a pitch problem on The Fog's soundtrack (but that awful pitch change mistake should have been fixed on the original Halloween's soundtrack when Michael is driving past the girls...not sure if Scream changed that on their UHD release); what part of the film did it occur? When the camera is panning across the grass as Andy runs home?I do know the Studio Canal UHD of THE FOG doesn't have the original mono track, and the 5.1 track is at the wrong pitch on that release, and I believe Shout also fixed that pitch error on their release for their 5.1 track.
As I said, if they give us an engaging, somewhat aggressive mix for the Exorcist III, I MAY consider selling my Blu-ray copy (which I have absolutely no issues with otherwise).I also forgot to mention before, but Shout also had the audio restored on their recent UHD release of BLACK CHRISTMAS, both the original mono AND 5.1 remix, and I've heard the results there are superb, as well, and they even include a new featurette about the extensive audio restoration. Given their newfound attention to including high-quality versions of the original theatrical sound mixes on their releases like they did with these, I'm hopeful they will include the proper, original sound mix for THE EXORCIST III on their UHD like Arrow did on their Blu-ray.
Vincent
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