Finally. I think it’s safe to say that the amount of time we’ve hoped, pursued and waited for news of this restoration has seen about as many years invested into it as had Ethan Edwards and his own search.
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Definately.I'm sure we're all interested in seeing what this new restoration looks like (& I think with the faded original negatives we're safe in calling it a restoration), & there surely must be a 4K release next year.
Appreciably.I'm curious: I saw a really nice projected DCP in the Cinemateket in Oslo in September last year. According to Robert Harris, this was not a restored version. It looked gorgeous, though. Considerably better than the 4K UHD of Rio Bravo. So how much better can a restored version look?
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That'll be the dayDefinately.
If WB approve the project despite it's huge cost, that is.The film can now be restored fully and properly.
It's a pretty popular title (I believe), unlike those catalog titles that either may or may not end up to sublicensors orFor starters, it will hopefully have the correct colors.
I remember talking to George Feltenstein about that 2006 Blu-ray during one of our HTF visits to Warner. The colors issue was a topic that I broached with him back then so I'm pretty confident they would be fine.For starters, it will hopefully have the correct colors.
For starters, it will hopefully have the correct colors.
The multitudes of technology used in order for the home viewer to simply sit back and enjoy the beauty of a film endlessly astounds me.In 2006, WB was not yet using ALT, Alien Layer Technology. We’ll wait for official announcements to see if the process was used in this instance.
And Universal, and Paramount, and elsewhere. None of the work performed has anything to do with home video, aside from a down-rez for another market. This work is performing, first and foremost for asset protection, before OCNs get additional fade, or the base of the stocks goes vinegar.The multitudes of technology used in order for the home viewer to simply sit back and enjoy the beauty of a film endlessly astounds me.
The work achieved at WB has been something to behold.
And Universal, and Paramount, and elsewhere. None of the work performed has anything to do with home video, aside from a down-rez for another market. This work is performing, first and foremost for asset protection, before OCNs get additional fade, or the base of the stocks goes vinegar.
Thanks for the correction. Silly me.2006 Blu-ray
They have a reference dye transfer print - that they didn't bother looking at back in the day.I remember talking to George Feltenstein about that 2006 Blu-ray during one of our HTF visits to Warner. The colors issue was a topic that I broached with him back then so I'm pretty confident they would be fine.
Or were unable to match it.They have a reference dye transfer print - that they didn't bother looking at back in the day.
I dug around and found the original source for that. He also rates highly It's A Wonderful Life, Seven Samurai, and Lawrence of Arabia. https://edcaesar.co.uk/2011/11/27/steven-spielberg-sunday-times/According to a posted internet story from today, Steven Spielberg watches The Searchers each and every time before directing another film.