- Joined
- Jul 3, 1997
- Messages
- 66,799
- Real Name
- Ronald Epstein
Ronald, Any updates on Ben-Hur 4K coming this year ?
Haven’t heard any dates, only that it’s in the works.
Ronald, Any updates on Ben-Hur 4K coming this year ?
Why can't the use the original poster art like the one below ??
I didn’t think I would ever see the word ultra used in the same sentence with GB2!View attachment 116073
New Ultra 4k Editions coming 2022 (may need to change the name of this thread or start a new one soon)
I watched the Shawshank UHD this weekend- WOW! I thought the video was fabulous.
The last movie in 2017, had a 4K/UHD release with 4K/Dolby Vision & Atmos. The other four movies have been digitally available in 4K/Dolby Vision for a while now. I purchased the 4K digital bundle for $19.99.Have any of these films ever been released in UHD? You’d think there will be a boxed set of all the films.
One of the greatest European directors, Krzysztof Kieslowski, made some of the greatest films - especially the Three Colors Trilogy and The Double Life Of Veronique. Not only were these unforgettably moving stories for anyone who saw them theatrically, they also boasted stunning original soundtracks by Kieslowski's musical collaborator, Zbigniew Preisner. Criterion has released these titles, but the Three Colors Trilogy rank amongst the very worst video masters Criterion have in their library. In France, both the Three Colors Trilogy and The Double Life Of Veronique are out on UHD discs with revelatory new masters and my hope is that Criterion will be able to replace their old editions with these new ones.
caps-a-holic.com
caps-a-holic.com
All men dream!Are they truly revelatory? Or is that the marketing? I’ll believe nothing until I have eyes on.
They’re extraordinary films that deserve nothing less than perfection.All men dream!
I know one can't swear by screen caps on a computer screen to judge film quality, but I do have the Criterion Colors Trilogy on blu ray and they don't look anywhere near as good at home, as they did at the cinema. If my French was up to scratch, I would have purchased this French UHD release tout de suite. But I'm waiting for someone to release with English sous-titres. Also, the soundtrack now looks as though it has a 5.1 option, while the Criterion only has a rather anaemic stereo 2.0. The soundtrack is such an integral part of these films. I remember very clearly, the end of Blue was enhanced at the theatrical performance, by the cinema screen remaining blue, without the curtains being closed, or the house lights being switched on, while the music thundered to a crescendo. The audience sat in their seats, transfixed, unable to rise up and leave.
One of the greatest European directors, Krzysztof Kieslowski, made some of the greatest films - especially the Three Colors Trilogy and The Double Life Of Veronique. Not only were these unforgettably moving stories for anyone who saw them theatrically, they also boasted stunning original soundtracks by Kieslowski's musical collaborator, Zbigniew Preisner. Criterion has released these titles, but the Three Colors Trilogy rank amongst the very worst video masters Criterion have in their library. In France, both the Three Colors Trilogy and The Double Life Of Veronique are out on UHD discs with revelatory new masters and my hope is that Criterion will be able to replace their old editions with these new ones.
caps-a-holic.com
caps-a-holic.com
Not according to the information from the publisher.Any chance the 3 Color French releases have english subtitles?
All men dream!
I know one can't swear by screen caps on a computer screen to judge film quality, but I do have the Criterion Colors Trilogy on blu ray and they don't look anywhere near as good at home, as they did at the cinema. If my French was up to scratch, I would have purchased this French UHD release tout de suite. But I'm waiting for someone to release with English sous-titres. Also, the soundtrack now looks as though it has a 5.1 option, while the Criterion only has a rather anaemic stereo 2.0. The soundtrack is such an integral part of these films. I remember very clearly, the end of Blue was enhanced at the theatrical performance, by the cinema screen remaining blue, without the curtains being closed, or the house lights being switched on, while the music thundered to a crescendo. The audience sat in their seats, transfixed, unable to rise up and leave.