sampsoninc916
Agent
- Joined
- Nov 3, 2013
- Messages
- 27
- Real Name
- Jordan Newell White
Dear Robert A. Harris,
I seem to look at the Criterion Blu-Ray of It's a Mad Mad Mad Mad World and it states that you've managed to reconstruct and restore a 197 minute version of the film closer to it's roadshow release and it's been put through a high definition transfer, which I would take over standard definition but not really as good as 4K. Now I seem to feel your pride a little bit, because I had to wait and you had to work for 15 or even 22 years just to recover all the footage you intend to put back in, and it must have been a pain in the honey buns for you, because some of the footage was just crumbling away. But would anyone buy it? I mean, it wouldn't even make it for the life of humanity on Redbox, Netflix, Hulu, Google Play, or iTunes. The people in those markets only seem to care about the hot TV shows and all they want to see in the theater are 4 types of movies: movies based of of Marvel comic books, movies that are sequels to an existing franchise, movies based off of young adult novels, and the occassional animated film. Are you serving an underserved market? Are you even proud of the lost footage that you recovered, restored, and put back in It's a Mad Mad Mad Mad World? Did you work with Fotokem on this?
Regards,
Jordan White
I seem to look at the Criterion Blu-Ray of It's a Mad Mad Mad Mad World and it states that you've managed to reconstruct and restore a 197 minute version of the film closer to it's roadshow release and it's been put through a high definition transfer, which I would take over standard definition but not really as good as 4K. Now I seem to feel your pride a little bit, because I had to wait and you had to work for 15 or even 22 years just to recover all the footage you intend to put back in, and it must have been a pain in the honey buns for you, because some of the footage was just crumbling away. But would anyone buy it? I mean, it wouldn't even make it for the life of humanity on Redbox, Netflix, Hulu, Google Play, or iTunes. The people in those markets only seem to care about the hot TV shows and all they want to see in the theater are 4 types of movies: movies based of of Marvel comic books, movies that are sequels to an existing franchise, movies based off of young adult novels, and the occassional animated film. Are you serving an underserved market? Are you even proud of the lost footage that you recovered, restored, and put back in It's a Mad Mad Mad Mad World? Did you work with Fotokem on this?
Regards,
Jordan White