brioni
Stunt Coordinator
- Joined
- Nov 16, 2006
- Messages
- 183
- Real Name
- Brian
I haven't read, heard or seen anything to suggest Campbell or any of the directors approved the transfers. They were involved with features, presumably working with John Cork but that was no doubt at a completely different time to the restoration and certainly at a different location.
With MGM's home video track record I find it impossible to believe Campbell would opt for a TV print knowing the film that came out of the actual camera would yield the best results. Besides these new transfers are not just meant for the UE DVD's, this has also been a preservation project, if the films are ever going to be re-released it will probably be from a digital projector. it makes no sense to spend money scanning a print other than the final cut knowing u'd have to do it again at a later date. MGM handing over the wrong reels is the only logical explanation.
With MGM's home video track record I find it impossible to believe Campbell would opt for a TV print knowing the film that came out of the actual camera would yield the best results. Besides these new transfers are not just meant for the UE DVD's, this has also been a preservation project, if the films are ever going to be re-released it will probably be from a digital projector. it makes no sense to spend money scanning a print other than the final cut knowing u'd have to do it again at a later date. MGM handing over the wrong reels is the only logical explanation.