Troy LaMont
Supporting Actor
- Joined
- Mar 11, 1999
- Messages
- 849
Well said David...
Troy
Troy
D-VHS will help the studios learn how to make transfers that really get a film "right". Because the consumer base is by and large limited to videophiles with large-screen HD displays, the format will have to appeal only to one market interest.David, this argument doesn't really make sense. As much as we would like to hope that studios listen to home theater enthusiasts such as ourselves, they are an industry like any other. They listen to the market. If they had made DVHS a more market-friendly app (i.e. price) maybe they would learn something. But a limited consumer base does not promote faith within the ranks. Perhaps the technical side of things will improve, but chances are that unless studio execs read messages like ours, they won't.
HD mediums, like D-VHS and eventually HD-DVD, will appeal to the consumer who has a large-screen display.Great. But for right now, this is a very small market. And for your average guy who likes what he saw at Best Buy, how's all this talk about 1080i and EE going to make sense? Yeah, I know you said this is not a Walmart product. How then do you expect DVHS to last?
My problem with DVHS is not technical. Hell, it sounds great on paper and I'd love to see and hear it for myself. My arguments are purely based on consumer interest. "Marketing advantage" is not something that DVHS has. For example, have you seen any DVHS ads not in HT publications? I just saw a TV ad for Ice Age, and they didn't even mention DVHS in the small print, even though it's their first day and date title.
I'm not attacking DVHS as a format, but as a bad product. The problem is that instead of consolidating efforts to standardize a HD playback format, two competing formats are debuting very close (
You're missing my point. You stated that DVHS would help studios to master their films better. My response was that the studios and/or distributors don't really pay attention to "fringe" markets, i.e. target consumers that make up less than, say 20% of the buying population. And I'd doubt that even 20% of TV owners have HD-capable sets. Ergo, the studios will most likely not (for right now) be spending a lot of money improving their mastering methods.Jesse,
You're missing *my* point which is that it's only that 20 percent "fringe" market that D-VHS is intended for!.
Nobody else. D-VHS is just for us...the videophiles.
When a studio releases a product that is *specifically aimed* at this niche "fringe" market they *do* cater to its demands. They did with laserdisc. They will with D-VHS.
If D-VHS was a "mass market" item that everyone at Walmart was interested in buying then you're right...the demands of the fringe few would be meaningless. That's what's happened to DVD (only in the last few years however, initially it was a product marketed to "fringe" videophiles as well).
But with D-VHS there is no dual-audience need. Those who adopted DVD for its conenience are still happy with DVD. Those who adopted DVD for it's picture quality improvements will also adopt new HD formats...We are precisely the audience/market this product has been designed for. And it will stay that way. Hi-def. pre-recorded media will never fall into the hands of the "masses" because they *already have a format* that they are perfectly happy with.
And if the masses ever do all get large-screen HD displays and seek out the picture quality advantage of hi-def media, then the mass market will reflect the same demands that the fringe-few do right now...they'll want images that look high-quality on their big screens as that's the *only* advantage the new format has over purchasing a DVD.
If they don't care about the image quality of D-VHS they won't be buying it at all.
And if your point is that even a strong support of hi-def media by a 20% market share isn't enough to alter mastering practices you're wrong. Laserdisc appealed to an even SMALLER market share and it was enough to garner film restoration efforts and the development of new mastering techniques that never would have occured to satisfy the VHS market. Hi-Def capability, even without a wide selection of pre-recorded media, already has better market penetration than laserdisc ever had.
In the case with HD it's even simplier to get there than it was with laserdisc. We *already have* the equipment to do stunning 1080P res transfers and most studios are *already doing* them anyway. Where they are "screwing up" is with bad image processing like over-filtering, adding EE, and compression artifacting while the image is being prepped for DVD. These are post-transfer issues and can easily be avoided with D-VHS with just a change in attitude (ie, the fewer knobs and dials one turns during mastering the better rather than the other way around).
Watch and see. the hi-def future is bright and clear.
So, if one was to ask me if I would ever spend the money on DVHS, the answer is no. The difference in quality is apparent, but not so drastically apparent, except under artificial conditions, that it warants any real attention.I agree to an extent. I think what most people fail to realize is the fact that the D-Theater tapes will make the most dramatic difference in quality when using a front projector with a large screen (about 90 inches and more).
I have seen the difference, and I can tell you it is not insignificant. The D-Theater market is much more suited to owners of front projectors.
I have seen the difference, and I can tell you it is not insignificant. The D-Theater market is much more suited to owners of front projectors.Makes sense to me. Which again brings us back to the fact that the vast majority of home theatre owners still do not have HDTV. Of course prices are falling every year, so that is chnaging fairly rapidly. But fewer still have front porjectors, or space for one.
Not to say that there isn't a differecne on regular RPTV and LCDs, there obviously is. But at normal viewing distances, on an average sized HDTV, the difference is far from being night and day.