bigshot
Senior HTF Member
- Joined
- Jan 30, 2008
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- Stephen
I distinctly remember when the film came out reading reviews after I saw the film and laughing about how the critics totally missed the point of the movie. My suspicion (and I think I was correct) was that reviewers saw the ads and reluctantly attended the preview screenings but walked out about twenty minutes in and filed a review anyway.ROclockCK said:Perhaps now. Perhaps in measure even 20 or 30 years ago. But not during TTCSM's initial release.
I only know why I went back to see it several times in theaters... it was because of the directoral audacity of starting out a movie making you think it is one kind of movie, then totally shifting gears and making it another kind of movie. I was well aware of what was going on there back in the day. It's also why I liked Videodrome. It started out like a stylish TV movie in the style of the build ups of some giallo movies, then completely shifted gears into absurd surrealism. One side of the coin is overt and the other is subtext through the first half, then it flip flops and the subtext becomes overt. That was very popular with film directors back in the late 70s / early 80s- subtext running counter to the surface of the film- using a genre like horror that has all kinds of expectations built in, then using those expectations to act as misdirection for something entirely different. Dawn of the Dead is a gold plated example of a movie from the same place and time that is really about something quite different than what it appears to be about. That film I didn't get on first viewing because the theater screened the reels out of order and no one realized it... the guy who got bit died and turned into a zombie and then he is fine again and working with them to barricade the place... then he turns into a zombie again. I was totally confused. I read a review and realized that there had been a mistake and went back and saw it again the next weekend.
I think there are two kinds of fans of these films. Those that take the film on face value and enjoy it for that... and those who appreciate the dichotomy that the director is setting up and maintaining so perfectly. For me, I can't stand slasher films. I watched about ten minutes of lots of slasher films and turned them right off because I found them to be aggressively stupid- playing out the same formulas over and over... oh look! a naked girl in the shower! oh look, she's cheating on her boyfriend! she sure deserves to be punished. oh look! here's the guy in the hockey mask to slice her up... I'm not overly fond of zombie films on the whole for the same reason. But Texas Chainsaw and Dawn of the Dead appealed to me from the very beginning, and I knew exactly what was going on the first time I saw them. If I hadn't, I wouldn't have gone back to see them again. Same with Mulholland Drive. I figured that out as I was walking out to my car after the screening and wanted to go right back and see it again so I could analyze how such a clever flip flop was organized.