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- Ronald Epstein
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Let me make an absolute assertion, on a calibrated display it's not too yellow, in fact the transfer looks gorgeous.dpippel said:As with many things, beauty is in the eye of the beholder. You just can't make absolute assertions like "it's not too yellow".
Then i guess we are back to beauty is in the eye of the beholder and since this is the cinematographers colour timing.....dpippel said:My display is calibrated as well. So much for absolutes.
It's in the thread where we discussed this, they had access to materials, i believe a dye technicolor source.dpippel said:I've seen this assertion made but have yet to see the source of the information. Frankly I find it hard to believe. Do you have a link? I believe I've read this entire thread and don't recall anything other than anecdotal evidence being presented. Of course, I could be wrong about that.
Oh c'mon, the Italians are not incompetent, have some trust.dpippel said:Ah, I remember that. There was also some discussion about the print being degraded. Still anecdotal. I have yet to see anything in print that shows unequivocally that the color timing was approved by anyone directly involved with the production. I welcome being proven wrong.
Now you remember. Two posts ago you didn't Not only did they have an Italian IB Tech print as a reference (and Technicolor does not fade if that's what you mean by "degraded") - the assistant cameraman on the film (or the camera operator) was involved in the color timing. Additionally, I had my old 35mm IB print run for me so I could compare it to the new transfer and my thoughts are right here for all to read.dpippel said:Ah, I remember that. There was also some discussion about the print possibly being degraded. Still anecdotal. I have yet to see anything in print that shows unequivocally that the color timing was approved by anyone directly involved with the production of the film. I welcome being proven wrong.
Do you always have to be so confrontational? Do you have a source other than your own commentary?haineshisway said:Now you remember. Two posts ago you didn't Not only did they have an Italian IB Tech print as a reference (and Technicolor does not fade if that's what you mean by "degraded") - the assistant cameraman on the film (or the camera operator) was involved in the color timing. Additionally, I had my old 35mm IB print run for me so I could compare it to the new transfer and my thoughts are right here for all to read.