A few words about…™ – The Crow — in 4k UHD

The Crow 4k review
The Crow, a 1994 fan favorite from filmmaker Alex Proyas, and the final appearance by Brandon Lee, is making its 4k debut via Paramount’s Miramax label, and it’s a beautiful product.

While I’m not well versed on the film, and am unable to comment upon original color, densities, et al, the new 4k appears to use all of the tools available to create a superior 4k Blu-ray.

Dariusz Wolski’s cinematography shines, with especially blacks coming to the fore. Grain structure appears authentic, and the entire universe created in the film just seems to work nicely.

Audio is rich and full.

For packaging collectors, this one has the major attribute of having a plastic cover which integrates design of the enclosed Steelbook with transparent portions of the outer jacket. One should presume that this may also be one of those First Edition situations. The only downside that I found, and it could just be the sample that I received, is that the Steelbook easily slips from the outer shell, akin to the heavy board packaging for Twilight Forever Blu-ray, which also dropped out when taken off the shelf.

Image – 10 (Dolby Vision)

Audio – 10 (DTS-HD MA 5.1)

Pass / Fail – Pass

Plays nicely with projectors – Yes

Makes use of and works well in 4k – 7

Upgrade from Blu-ray – Yes

Worth your attention – 8

Slipcover rating – 8

Highly Recommended

RAH

Robert has been known in the film industry for his unmatched skill and passion in film preservation. Growing up around photography, his first home theater experience began at age ten with 16mm. Years later he was running 35 and 70mm at home.

His restoration projects have breathed new life into classic films like Lawrence of Arabia, Vertigo, My Fair Lady, Spartacus, and The Godfather series. Beyond his restoration work, he has also shared his expertise through publications, contributing to the academic discourse on film restoration. The Academy Film Archive houses the Robert A. Harris Collection, a testament to his significant contributions to film preservation.

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sbjork

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Can't wait until mine ships! I know that you have reservations about HDR, but if any films could benefit from the improved contrast of HDR, it's this one and Proyas' Dark City.
 

Robert Harris

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Can't wait until mine ships! I know that you have reservations about HDR, but if any films could benefit from the improved contrast of HDR, it's this one and Proyas' Dark City.
I have far fewer reservations about HDR now that the process has gotten more mature. Initially, I don't believe that many colorists knew how to properly use it. And secondly, it's not always either necessary or helpful.

This is an instance where it does its job.
 

Dave H

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This has been on my most-wanted catalog list for years. Not that the prior Blu-ray was poor, but there was room for improvement and it sounds like they knocked it out of the park. Looking forward to it.
 

Wes Candela

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I have far fewer reservations about HDR now that the process has gotten more mature. Initially, I don't believe that many colorists knew how to properly use it. And secondly, it's not always either necessary or helpful.

This is an instance where it does its job.
absolutely agree with you, Mr. Harris as I usually do.
this is a beautiful transfer and rendition of the crow for all of us that love the movie

visually it was spectacular one first viewing it opening day in the theater
During DVD releases and Blu-ray, I thought it was holding up pretty well

But watching it now in 4K with Dolby Vision, it’s luminous and radiant.

A little technical note I picked up from the directors commentary:
Alex Proyas and Cinematographer Dariusz Wolski's used panda vision LEE Filters on camera lenses during shooting

Specifically, green and blue filters

Then, when processing the film, they removed the green and the blue so the film would yield a striking black, white and red color palette throughout, which I never knew, but shows how much ambition and visionary foresight. There was on hand during the making of this film.

I usually LEE filters myself just for photography, And after I got one, I couldn’t stop purchasing more until my wallet started to scream at me.

But the directors commentary is very informative
The movie looks better than it ever has.

Brandon Lee rest in peace
 
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