Sorry, the two are not comparable in any way. The end of The Sopranos was a major TV event that 12 million people saw. No DVD release would ever come close to making that kind of impact for a song.
I would love to know why Fox couldn't get a single song for WKRP's release, yet Universal was able to clear ALL of the songs for ALL of the Miami Vice seasons, WITHOUT jacking up the price.
Different songs, different studio, different show. Unlike Fox and 'KRP, Universal actually produced Miami Vice so they know that the music is a huge part of the show.
Maybe some of the publishers or artists were offended with the way the songs were used (i.e. Johnny Fever calling Olivia Newton-John "Olivia Neutron Bomb", or was that an overdub to cover up a lapsed license?).
Keep in mind that the whole music industry is built on theft, plagiarism, and cheating.
Not to add more to the flames here. I just saw the episode where Johnny is left a baby at the station's front door.
Every song and every bit of dialogue that is baby song themed or related is cut and or replaced. They even cut when Les and Mr. Carlsen say a few lyrics from baby themed songs. They tried to replace them with similar baby themed generic music, but the overall integrety of that show suffers the most from this.
Teach Your Children Well, Return to Sender, Your Smiling Face, and the song that gets stuck; Hold On, all replaced. I think Bob Marley is saved.
It's a pity. Of the shows I've seen in the set, and I am watching in order, this one is the worst. Of course after; The Contest That Nobody Could Win.
As much as this probably will doom any future releases of ``WKRP'' (at least the way we really want the show on DVD), these posts continually reinforce why I just won't ever buy this set inasmuch as the music substitution really wouldn't make a difference to me since I don't remember 99 percent of the songs from the show (my hearing is and pretty much always has been kaput ergo so I'm not a real music buff), but it's the principle at stake here. Fox should be punished for putting out dreck, and yet, we're stuck between a rock and a hard place. If we hold out for an intact set, we may be forced to pay $5K (I realize I exaggerate, or perhaps I may be understating the potential price if all the music is licensed) for a single season, or poor sales of this feeble excuse of a season set may forever imperil any future releases. *Sigh*
It's like this thread never existed. It's not going to happen folks. It's simply cost prohibitive to get the music. Be insulted if you want, but if my choice is never having it - and rarely seeing it on TV for that matter - and having this - I'll take this as I did and still enjoy them as flawed as they may be.
Why did and do people tape shows from TV despite the garbage on the screen, commercials, disrupted credits and other annoying things (including cut episodes)? So they can watch the shows in some fashion as opposed to not at all.
We get it - it sucks. But it's not going to change.
FIANLLY! Someone who get's my point. The episodes I taped on TV many years ago were all butchered up anyway. So to me, spending the $30 on this set is worth it, if anything then to have the episodes cleaned up at bit. I think it cost me more than $30 in the '80's just to buy blank VHS tapes top put WKRP on. And now they are barely watchable.
I get both sides of this. But what I don't understand is why so many people demand the studio absorb whatever cost it takes to release the DVDs in their original broadcast state, but tolerate the broadcasters continuing to butcher the episodes to fit in more commercials, which clearly is NOT their original broadcast state. The consesus seems to be, "Well, they have to do that for economic reasons," so it's accepted. But that's riduculous. That's the same argument they reject from the studios. Why demand "no alterations no matter what the cost" of the studio, but tolerate it of the broadcaster? They begrudge one their extra profit, but allow the other one the exact same profit by altering the original episodes. AND more people will see the altered episodes in one airing on a broadcast than will ever buy all the DVDs put together. Doesn't that make it MORE incumbent on the broadcasters to reflect the episode makers' original work?
Actually Albert, it makes much sense on many levels.
What's so hard to understand about the analogy? Cutting out significant scenes, and replacing original music with crappy replacements, is like taking a filet mignon and replacing it with a piece of spam. Pretty simple and logical.
You may think your spam tastes as good as the filet mignon, and is better than nothing, but that doesn't make it so, nor does it invalidate the analogy.
1. This topic needs to be closed, 2. HTF owners should direct the execs at FOX to read this topic from beginning to end, 3. Fox needs to participate in this topic and get with fans on how they should handle the future releases since they aren't likely to repress the first season with corrected disks ...
The reason I say closed is that messages seem to convey the same message over and over again and the topic isn't going anyway constructively.
About the analogy, filet mignon and hamburger would be a better comparison. They both come from the same material, but are made differently.
It would be like if HTF was a food site. Filet Mignons would be the expectation. But, if someone starts to talk about the hamburgers at McDonalds, even though millions eat them every day, you can expect it to not be well received here.
I'll second that.
It keeps going around in circles. We know why those who refuse to buy it feel that way. We know why Fox cut it the way they did. Nothing anyone says here is going to change that.
I agree that this thread is played out. But even if FOX execs were to read this what difference would it make ? Studios do not care about "fanatics" who know a show inside out. They only care about selling to Billy Bob Lawnmower who won't notice if it's a faulty product.
Trying to make us happy is simply too difficult and too costly.
No it’s simply a bad analogy. It’s not logical. One can purchase whatever meat they choose. However, reagarding WKRP, the criteria that makes the music cost prohibitive to consumers has no “meat” correlation. Additionally stating that I think that they “taste” the same in this bad analogy, is incorrect. I have made it abundantly clear regarding the differences and my desire for the original episodes. I, however, can see the reality that original episode sets is a fantasy.
I did want to add this, while I posted earlier reactions to the discs due to the music changes as I have been watching them, one thing I have not said. The last two shows I saw, "Who is Gordon Sims", and "I do....I do", still retain a power and energy to them that goes beyond the music issue.
Getting right down to the heart of the show, the acting performances in Gordon Sims is as powerful as it was originally. And the comedy and heartfelt story of "I do... I do" still ring true. The later half of the first season is as strong as it was new. Good bye Johnny, Johnny Comes Back, Never Leave Me Lucille, I want to Keep My Baby, A Commercial Break (Ferryman!) and the above two shows are really good episodes and the actors are gelling and working well together to make this show what I remember as so great as I saw them in 1979. I look forward to the next 3 shows as the season concludes.