Would love to hear anything you have to share on Leni Reifenstahl, these films, anything at all.. Whenever you have the time and inclination.
Very understandable. Thanks. I have patience.Robert Harris said:Wish I could tell you what it was, but am unable to comment at this time.RAH
ajabrams said:I would like to suggest to anyone interested in Riefenstahl's films, that they watch "The Wonderful, Horrible Life of Leni Riefenstahl," Ray Muller's excellent
1993 documentary. A terrific and balanced (NOT in the Fox News sense!!) view of this most controversial filmmaker, with lots of excerpts from her work.
Superb doc, unfortunately not yet on Blu, but available on DVD. Also can suggest LR's autobiography. Quite an extraordinary woman, who at 90 was doing underwater photography and photographing members of African tribes.One can only wonder what her life might have been like if she had lived elsewhere and met other powerful people. But then, we would not have her two masterpieces.But might have others.RAHajabrams said:I would like to suggest to anyone interested in Riefenstahl's films, that they watch "The Wonderful, Horrible Life of Leni Riefenstahl," Ray Muller's excellent1993 documentary. A terrific and balanced (NOT in the Fox News sense!!) view of this most controversial filmmaker, with lots of excerpts from her work.
currently two of those very titles sit on my shelf, Einstein's Strike & Battleship Potemkin, in a dual set from Kino, and I am happy with the results, would be very interested in the others, most especially War & PeaceDerrick King said:A member of the criterion forum emailed Mosfilm and asked about InterFilmArt, and they sent him the following email:
Mr. Kimble's work is very impressive, as you mentioned the Cinerama films, Flicker Alley has done a wonderful job of releasing these, and the work involved definitely shows, great work, and I look forward to the next two releases. Every release has been outstanding.Robert Harris said:I prefer to deal in facts.Triumph, as in a base film element, would be in the public domain. The trick is finding a quality archival element, and then making it far more than just presentable. We've been working from a duplicate 35mm fine grain master, and for almost the past year, have been digitally cleaning the scanned data files.Since my time has been spent elsewhere, on a project that may shortly become apparent, I invited Greg Kimble, who I felt did superb work in bringing the Cinerama films back to life, to attend to the digital cleanup. His work will speak for itself. I review shots, frame by frame, daily, and am thrilled with the results. I was considering posting a sample before and after shot, but would be starting with about 8 gigs, which makes thing awkward.Olympia is a different animal, and I believe the rights are owned by Ms Reifenstahl's estate. At one time I believe Janus had a license, but I don't know if it's still in force. A brilliant film, which should be available on Blu-ray. I'll look into its current status.In many ways I'm sorry that another entity may not be releasing, as I would have liked to see what would have been done with their elements. In the world of film preservation, there can never be too many attempts to create a quality product, and as I posited in the other thread, I didn't see their release as competition.RAH
If you were called that because of your admiration for a film like Ms.45, then I guess you and I are brothers.schan1269 said:I'll tell you what I was called. And like I said, if the person knew me, they'd know I've been called worse in a joking manner. It was a classless thing to do based on not knowing me. That a .com trying to make your $100, their $100, it was just an insane move.
As an aside, because of what I was called, I just watched Starlet and Young and Wild. Y&W is a must watch for anyone out there living with the issues presented(mentioning those issues might go against the political/religious non-discussion here at the forum. So you can just Google the movie for yourself).
Both movies are brilliant film-making. (I'm a fan of low-budget film-making. Starlet has an amusing goof. It is done twice...and it proves that the movie must have been made on a shoestring budget...and everybody was wearing loafers...it is a must watch for any fan of low-budget fare)
The other person probably won't say what their slur was as I'm even disgusted by it(especially in the context of what was said and "why"). Notwithstanding it was a classless thing to do...but riled my mood to the point I wanted to prove that I was a...
Degenerate Human.
No, I was called that because I dared to ask if IFA was a spam-bot(amongst a few other minor things).Richard V said:If you were called that because of your admiration for a film like Ms.45, then I guess you and I are brothers.
Questions need to be asked and you asked the right ones. I'm right behind you on this. From the first post I was questionable, you just asked what I was thinking. Thanks and wish their response had not happened.schan1269 said:No, I was called that because I dared to ask if IFA was a spam-bot(amongst a few other minor things).Their math didn't add up.They apparently don't have rights to the movie(movies on their site).Using the trademark from a defunct DDR(as Germany was once called) company that is the same trademark used by Trabant car clubs throughout the world and is still associated with the Russian motorcycle company MZ.
Seems I missed all the fun! I had a PM from a member asking if I was upset and I was totally clueless until I saw this thread and mentions of it on another forum. I never saw the post in question that I would theoretically be offended by, but knowing myself and making a guess about what someone might infer from my screenname it's both not a correct thing to "slur" me about and likely something I would find amusing, aside from the sadness that such ignorance can still exist - and how ironic that this is the film it gets related to! I wish I'd been able to see what was there, but glad that it was swiftly dealt with by the crack team here at HTF!I would like to thank RAH for his kind words and to assure him that the pleasure of meeting was on my end as well. I don't often have to get too cranky at my size to get the point across, I'm on the whole a gentile giant.Robert Harris said:I actually had the pleasure of dining with Ted, aka Moe, a few weeks ago in LA. Delightful and intelligent young man, who I presume will find a certain very dark humor in the fact that he was attacked by someone who did not know him, and who had made presumptions based upon his screen name, and that alone.Never assume.Especially with someone of Ted's size. I'd really not wish to be the one to ever make him cranky.I should also like to thank HTF staff for stepping in quickly, and surgically making the necessary cuts, before locking the thread.It is the owners and administrators of HTF, who continuously, not only make it a safe haven, but an extraordinary place for lovers of cinema to visit, share opinions, and learn. My hat is off to them.RAH
+1,000,000Moe Dickstein said:I would advise anyone interested to wait for the RAH supervised release from Synapse.
Yes.Moe Dickstein said:I would advise anyone interested to wait for the RAH supervised release from Synapse.
Yes both.Dubstar said:so I'm utterly confused - is both the disc in question AND InterFilmArt's validity in question here...