This is just a minor quibble...but it always bothers me when companies use box art that doesn't match the time-frame of the films included. This happens all the time in PD Hitchcock releases, but it would be nice if MGM had used a picture of Hitch that was actually taken before the late 1950s. Im tired of seeing all the Hitchcock box sets illustrated with pictures of Hitch taken in the 1960s when the films in the set are from the 1920s and 1930s. I know many will say thats how the public best remembers him, but no matter how old he was you can always tell its Hitch in the picture. Its just the obessive compulsive historian in me I guess....lol.
So once this set is placed on my shelf with the Warner, Universal and Lionsgate sets, only TO CATCH A THIEF and UNDER CAPRICORN will be left standing on their own (outside of boxed sets, that is). Hmmm.....
And yeah, call me an optimist, but newly restored prints of the Criterion Three should look at least as good. If I'm wrong... well, that's way the cookie crumbles.
I guess I can say this now. When I lived in LA, I temped at MGM in their records management/special projects department. I remember overhearing someone in the elevator mentioning work on a Hitchcock DVD set. That was the last I heard of it but seeing this release news conjured up the memory.
For all those who are unhappy about the price, what do you think would be fair?
If it RETAILS for $119, it should be available for aroung $80. Not to mention that since it's being released on 10-14, that's just in time for a certain site's 20% off November sale, where I bet the sale price will be around $65. That's ~ $8 apiece for a bunch of classic and OOP Hitchcocks, loaded with extras!
I've been waiting a long time for Young & Innocent to be available, but I already own the rest of those, so I'll probably wait and hope it's available separately at some point.
I own all of these but I'd gladly replace my cheap PD/bootleg versions of The Lodger, Young And Innocent and Sabotage and Anchor Bay's version of The Paradine Case. However, I'm not going to spend $80 for just those movies when I own the other half of the set so I'll just hope that they are eventually released separately.
Because as long as the film is completely out-of-print in the US, people will pay absurdly high prices for it. Right now even used copies are selling for above MSRP. Once this set hits shelves, the price will plummet.
Anyone with all three Criterion discs could easily sell them for $120, then turn around and buy the Fox set for $90 -- a $30 profit plus you end up with five more movies. Fox has an extremely good track-record with their classics division, so it's unlikely they'd screw up a major release like this, and while you wouldn't have all the Criterion extras it's not an unreasonable trade off.
I highly doubt that the prices on the Criterion's will plummet. They all have different commentary tracks as well as other exclusive extras. People continued to pay exhorbant fees for other out of print Criterions with less substantial extras than these in the past including "Spinal Tap", "Silence of the Lambs", & "Seven Samurai".
I'll hold on to mine until I'm convinced that the new commentaries are on par with the Criterions and until I make sure that some of the other extras are present on the new editions ..... especially all of the screen tests on Rebecca (One of the best extra material ever put on DVD)
I agree. Those screen tests sent yourself back in a time machine to Hollywood working technique. I always thought that with all the material packed in the Criterion editions (tests, memos, pictures, storyboards etc) one could make a beautiful making of doc. I'm glad they finally did it. These news made my day!
It sounds great, but considering the features, it seems like REBECCA should be a double-discer like the Criterion. Hopefully, this portends "hope" for the long delayed David Lean Collection....
While it's not great and it apparently has wrong color timing, Image's DVD for Under Capricorn is official. Seems to be from a new 35mm element from the camera negatives held by UCLA. No extras, though.
The Lodger, Sabotage, and Young & Innocent are owned by Granada. Oddly enough, they're the ones who licensed The 39 Steps and The Lady Vanishes to Criterion (probably via an earlier Janus Films contract). The Pleasure Garden, Downhill, and Easy Virtue also seem to be owned by Granada (with TPG possibly having rights with Douris). The rest of the British films are StudioCanal except for Jamaica Inn, which also seems to be Douris.